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Forrest L Ingram is a poet married to Ann, the love of his life. In these poems, he celebrates special yearly remembered occasions such as their first date, the first time they made love, the anniversaries of their marriage, and Ann's birthday. He also includes in the volume numerous everyday love poems. Mr. Ingram has previously published poetry, fiction, literary criticism, and analyses of current events. He has taught literature at the university level and edited a literary journal. He hopes that true lovers will read these poems and be inspired by them.
True love is like a religion. Love can be light-hearted, expecting that there will be many good times to share. At the same time, when lovers first meet, they may not believe immediately that they have found the one they were intended to be with always. They test one another. They put a wet finger up to see which way the wind is blowing.
This book discusses the American short story composite, or short story cycle, a neglected form of writing consisting of autonomous stories interlocking into a whole. The critical work done on this genre has so far focused on the closural strategies of the composites, on how unity is accomplished in these texts. This study takes into consideration, to a greater degree than earlier criticism, the short story composite as an open work, emphasizing the tension between the independent stories and the unified work, between the discontinuity and fragmentation, on the one hand, and the totalizing strategies, on the other. The discussion of the genre is illustrated with references to numerous American short story composites.
Tropes and Territories demonstrates how current debates in postcolonial criticism bear on the reading, writing, and status of short fiction. These debates, which hinge on competing definitions of "trope" (motif vs rhetorical turn) and "territory" (political or aesthetic), lead to studies of space, place, influence, and writing and reading practices across cultural divides. The essays also explore the character of diasporic writing, the cultural significance of oral tale-telling, and interconnections between socio/political issues and strategies of style.
This book explores representations of community in Anglophone Caribbean short story collections and cycles of the late twentieth and early twenty-first century.
Designed for students of all ages, Exploring Catholic Literature: A Companion and Resource Guide provides an engaging and succinct introduction to twelve recognized masterpieces of Catholic literature, from Augustine's 4th century conversion narrative, The Confessions, to the recent poetry of Denise Levertov collected in The Stream and the Sapphire. Each chapter contains a brief biography of the author, an extended critical essay highlighting the work's Catholic and literary aspects, suggestions for further reading and study, and questions for discussion.
In an engaging and dynamic collection of essays on South African writing, an international cast of contributors pay detailed attention to the shifting parameters of scholarly debates on apartheid and the apartheid era. Investigating a range of literary and critical perspectives on a period that shaped the literature of South Africa for much of the twentieth century, the contributors offer a rich survey. The volume focuses on internationally acclaimed writers (Nadine Gordimer and J.M. Coetzee) as well as those writers who are yet to receive sustained critical attention (Mtutuzeli Matshoba, Alex La Guma, Bessie Head, Ahmed Essop, Ronnie Govender). Apartheid Narratives will be welcomed by academics and students of South African writing as a stimulating collection which maps the literary terrain of apartheid.
Tunisian women's literary production in French, published or set between the years 1987 and 2011 from Tunisia's second president Zine El Abidine Ben Ali's rise to power to the eve of the Tunisian Revolution reveals the role of women, their political engagement, and their resistance to patriarchal oppression. A great deal of media and scholarly attention has focused on the role of women during the Tunisian Revolution itself, yet few studies have considered women's literary and active engagement prior to the uprising. By contrast, this book focuses specifically on the time period leading to the Revolution. The book is structured around three chapters, each focusing on a different form of writi...
Presents a collection of critical essays about the work of Milan Kundera.