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This book, first published in 1974, has become the classic study of one of the most popular musical forms in early eighteenth-century France. It not only documents and examines a considerable repertoire for the first time, but it also places the genre in the wider context of both French and Italian baroque musical styles.
By exploring stardom from the domain of cinema and other fields, the reader is provided with a broad understanding of the mechanisms of popularity and success and their cultural, social and political roles. The picture that emerges shows that many cultural articulations remained or became indentifiably 'French'.
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`Culture' is one of the most frequently used terms in the French vocabulary. It sells not only books, newspapers and magazines but also consumer products and political parties. But what are the meanings of `culture populaire'? What have the French understood by it, and what is its history? Brian Rigby's lively and cogent study traces changing notions of popular culture in France, from 1936 - the year of the Popular Front - to the present day. Asking why `culture' has become such a fiercely contested term, Rigby considers the work of the major French theorists, including Barthes, Bourdieu and Baudrillard.
Twentieth-century Europe was an intense laboratory of capitalist experimentation. Confronted with economic booms and crises, technological revolutions, and economic globalization, Western Europe's governments constantly explored alternative ways of managing domestic economic systems and international commerce. Bridging comparative and international political economy, Creative Reconstructions compellingly expands our understanding of the historic relationship between varieties of capitalism and international cooperation. Orfeo Fioretos' pathbreaking analysis places multilateral institutions at the center of the study of capitalism. He highlights the role played by governments' multilateral strategies in shaping the national trajectories of capitalism in Great Britain, France, and Germany. Fioretos shows that membership in international organizations such as the European Union and its precursors was an integral innovation in the domestic management of capitalism that came to play a central, if varied, role in shaping the evolution of modern market economies.
Though relatively unsung in the English-speaking world, Jean Rouch (1917–2004) was a towering figure of ethnographic cinema. Over the course of a fifty-year career, he completed over one hundred films, both documentary and fiction, and exerted an influence far beyond academia. Exhaustively researched yet elegantly written, The Adventure of the Real is the first comprehensive analysis of his practical filmmaking methods. Rouch developed these methods while conducting anthropological research in West Africa in the 1940s–1950s. His innovative use of unscripted improvisation by his subjects had a profound impact on the French New Wave, Paul Henley reveals, while his documentary work launched the genre of cinema-vérité. In addition to tracking Rouch’s pioneering career, Henley examines the technical strategies, aesthetic considerations, and ethical positions that contribute to Rouch’s cinematographic legacy. Featuring over one hundred and fifty images, The Adventure of the Real is an essential introduction to Rouch’s work.
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René Descartes is best remembered today for writing 'I think, therefore I am', but his main contribution to the history of ideas was his effort to construct a philosophy that would be sympathetic to the new sciences that emerged in the seventeenth century. To a great extent he was the midwife to the Scientific Revolution and a significant contributor to its key concepts. In four major publications, he fashioned a philosophical system that accommodated the needs of these new sciences and thereby earned the unrelenting hostility of both Catholic and Calvinist theologians, who relied on the scholastic philosophy that Descartes hoped to replace. His contemporaries claimed that his proofs of God's existence in the Meditations were so unsuccessful that he must have been a cryptic atheist and that his discussion of skepticism served merely to fan the flames of libertinism. This is the first biography in English that addresses the full range of Descartes' interest in theology, philosophy and the sciences and that traces his intellectual development through his entire career.
This book provides an overview of the archaeological sites and cultural assemblages in the world and presents an archaeological database that has been established through two large-scale research projects conducted between 2010 and 2022. The projects were Replacement of the Neanderthals by Modern Humans (2010–2015) and The Cultural History of PaleoAsia (2016–2022), both of which were carried out with the aid of the Japanese Government. They deal with multi-disciplinary studies of the demise of more archaic hominins and the survival of anatomically modern humans. Although the database is designated PaleoAsiaDB, which may imply a focus on Asia, it incorporates the dataset collected from Africa and Europe by the Replacement of the Neanderthals by Modern Humans project. PaleoAsiaDB provides a list of more than 3,300 sites and 7,600 cultural assemblages of the Middle and Upper Paleolithic (Middle and Late Stone Age) of the Eastern Hemisphere as of 2020. This database is the first attempt of its kind to document the related sites of 200-20ka. The full version of the database is available at the University Museum on the University of Tokyo homepage.
Cet ouvrage réunit, en hommage au linguiste franco-québécois Yves Charles Morin, quinze articles de linguistique française, couvrant les domaines de la phonologie et de la morphosyntaxe, dans des perspectives historique, structurale ou sociolinguistique. Les articles présentés s'intéressent à la fois au français de référence et aux variétés régionales, de par et d'autre de l'Atlantique, ainsi qu'aux relations entre ces variétés de français.