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Marriage is often described as a melding of two people into one. But what--or who--must be lost, fragmented, or buried in that process? Dolan reveals the contradiction that lies at the very heart of modern marriage. We have inherited from early modern England a model of marriage, she contends, so flawed that its logical consequence is conflict.
In the seventeenth century, the largely Protestant nation of England was preoccupied with its Catholic subjects. They inspired more prolific and harsher criticism and more elaborate attempts at legal regulation than did any other minority group. To understand this phenomenon, Frances E. Dolan probes the verbal and visual representations of Catholics and Catholicism and the uses to which these were put during three crises in Protestant'Catholic relations: the gunpowder plot (1605), Queen Henrietta Maria's open advocacy of Catholicism in the 1630s and 1640s, and the popish and meal tub plots (1678—1680). She uses each crisis as a jumping-off point, an opportunity for speculation, as did cont...
Examining seventeenth-century crises of evidence and genres of evidence on which both literary critics and historians now depend, True Relations explores the notion that we apprehend truth through other people's relations of it and that those relations, and our own relation to them, are a function of social relationships in conflict.
Looking back at images of violence in the popular culture of early modern England, we find that the specter of the murderer loomed most vividly not in the stranger, but in the familiar; and not in the master, husband, or father, but in the servant, wife, or mother. A gripping exploration of seventeenth-century accounts of domestic murder in fact and fiction, this book is the first to ask why.Frances E. Dolan examines stories ranging from the profoundly disturbing to the comically macabre: of husband murder, wife murder, infanticide, and witchcraft. She surveys trial transcripts, confessions, and scaffold speeches, as well as pamphlets, ballads, popular plays based on notorious crimes, and such well-known works as The Tempest, Othello, Macbeth, and The Winter's Tale. Citing contemporary analogies between the politics of household and commonwealth, she shows how both legal and literary narratives attempt to restore the order threatened by insubordinate dependents.
This book reveals the continuing power of Marxist thought to address: the relationship of texts to social class; the historical construction of the aesthetic; and utopian dimensions of literary production.
A detailed study of seventeenth century farming practices and their relevance for today We are today grappling with the consequences of disastrous changes in our farming and food systems. While the problems we face have reached a crisis point, their roots are deep. Even in the seventeenth century, Frances E. Dolan contends, some writers and thinkers voiced their reservations, both moral and environmental, about a philosophy of improvement that rationalized massive changes in land use, farming methods, and food production. Despite these reservations, the seventeenth century was a watershed in the formation of practices that would lead toward the industrialization of agriculture. But it was al...
Long ghettoized within British and Irish studies, Catholicism and Recusancy in Britain and Ireland demonstrates that, despite many challenges and differences among them, English, Scottish, Welsh, and Irish Catholics formed strong bonds and actively participated in the life of their nations and their Church.
Dynamic Matter investigates the life histories of Renaissance objects. Eschewing the critical tendency to study how objects relate to human needs and desires, this work foregrounds the objects themselves, demonstrating their potential to transform their environments as they travel across time and space. Integrating early modern material theories with recent critical approaches in Actor-Network Theory and object-oriented ontology, this volume extends Aristotle’s theory of dynameos—which conceptualizes matter as potentiality—and applies it to objects featured in early modern texts such as Edmund Spenser’s The Faerie Queene, Robert Hooke’s Micrographia, and William Shakespeare’s The...
In Violence and Grace, Nichole Miller establishes a conceptual link between early modern English drama and twentieth-century political theology, both of which emerge from the experience of political crisis. Even as philosophers from Max Weber, Carl Schmitt, and Walter Benjamin to Hannah Arendt and Simone Weil drew upon sixteenth- and seventeenth-century dramatic representations of the nation-state to analyze the political phenomena of late modernity, Miller contends that they effaced the gendered and sexual dimensions of power and "exceptional life" so crucial to these plays. Miller's analyses accordingly undertake to retrieve for political theology the relations between gender, sexuality, and the political aesthetics of violence on the early modern stage, addressing the plays of Marlowe, Middleton, and especially Shakespeare. In doing so, she compellingly expands our understanding of drama's continuing theoretical impact.