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A ground-breaking study that discusses, for the first time, the lives and careers of Frances Macdonald (1874-1921) and J. Herbert McNair (1868-1955), two important artists who have hitherto been considered as adjuncts to Charles Rennie Mackintosh and his wife, Margaret Macdonald.
At the turn of the 20th century, Glasgow was the centre for an avant-garde movement of art and design innovation in Europe, which we now refer to as The Glasgow Style. While the "Glasgow Boys" group of painters has been widely written about, their female contemporaries have received far less attention. In this work, the editor redresses this imbalance, bringing together research from 18 scholars on the work of an astonishing number of female artists from this period.
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