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Research Handbook on Intellectual Property Rights and Inclusivity
  • Language: en
  • Pages: 539

Research Handbook on Intellectual Property Rights and Inclusivity

  • Categories: Law

This insightful Research Handbook discusses how exclusive intellectual property rights can affect inclusivity within individual, community and business contexts. It employs urban and rural frameworks to provide a multidimensional view of contemporary inclusivity and its relationship with intellectual property.

Law and Opera
  • Language: en
  • Pages: 395

Law and Opera

  • Categories: Law
  • Type: Book
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  • Published: 2018-01-30
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  • Publisher: Springer

This book explores the various connections between Law and Opera, providing a comprehensive, multinational, and multidisciplinary (with approaches from jurists, philosophers, musicologist, historians) resource on the subject. Further, it makes a valuable contribution to studies on law and the humanities. While, for example, the relationship between law and literature has been extensively researched, the relationship between Law and Opera remains largely overlooked. The book approaches the topic from three perspectives in three main sections: Law in Opera, Law on Opera, and Law around Opera.

Living as an Author in the Romantic Period
  • Language: en
  • Pages: 379

Living as an Author in the Romantic Period

This book explores how authors profited from their writings in the late eighteenth and early nineteenth centuries, contending that the most tangible benefits were social, rather than financial or aesthetic. It examines authors’ interactions with publishers; the challenges of literary sociability; the vexed construction of enduring careers; the factors that prevented most aspiring writers (particularly the less privileged) from accruing significant rewards; the rhetorical professionalisation of periodicals; and the manners in which emerging paradigms and technologies catalysed a belated transformation in how literary writing was consumed and perceived.

Sources and Style in Moore’s Irish Melodies
  • Language: en
  • Pages: 217

Sources and Style in Moore’s Irish Melodies

  • Categories: Art

Once regarded as Ireland’s national bard, Thomas Moore's reputation rests on the ten immensely popular collections of drawing-room songs known as the Irish Melodies. At home and abroad, these 124 songs created a realm of influence that continued to define Irish culture throughout the nineteenth century and into the twentieth. In this book, Una Hunt provides the first detailed assessment from a combined musical and literary standpoint, contextualizing the songs through an examination of their ‘sources’ and ‘style’. Further attention is given to the collaborative work of composers Sir John Stevenson and Henry Rowley Bishop and the study is completed by a reappraisal of the musical sources.

Sounding Dissent
  • Language: en
  • Pages: 265

Sounding Dissent

The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public has overwhelmingly rejected a return to the violence of the Troubles (1968–1998), loyalist and republican groups have sought other outlets to continue their struggle. Music has long been used to celebrate cultural identity in the North of Ireland: from street parades to football chants, and from folk festivals to YouTube videos, music facilitates the continuation of pre-Agreement identity narratives in a “post-conflict” era. Sounding Dissent draws on original in-depth interviews with Irish republican musicians, contemporary audiences, a...

The Ordnance Survey and Modern Irish Literature
  • Language: en
  • Pages: 320

The Ordnance Survey and Modern Irish Literature

The Ordnance Survey and Modern Irish Literature offers a fresh new look at the origins of literary modernism in Ireland, tracing a history of Irish writing through James Clarence Mangan, J.M. Synge, W.B. Yeats, James Joyce, and Samuel Beckett. Beginning with the archives of the Ordnance Survey, which mapped Ireland between 1824 and 1846, the book argues that one of the sources of Irish modernism lies in the attempt by the Survey to produce a comprehensive archive of a land emerging rapidly into modernity. The Ordnance Survey instituted a practice of depicting the country as modern, fragmented, alienated, and troubled, both diagnosing and representing a landscape burdened with the paradoxes o...

Languages of Trauma
  • Language: en
  • Pages: 423

Languages of Trauma

Languages of Trauma explores how, and for what purposes, trauma is expressed in historical sources and visual media.

The Cambridge Companion to Irish Poets
  • Language: en
  • Pages: 473

The Cambridge Companion to Irish Poets

A fresh, accessible and authoritative study that conveys the richness and diversity of Irish poets, their lives and times.

The Snake's Pass
  • Language: en
  • Pages: 358

The Snake's Pass

In 1890, The Snake’s Pass was published in serialized form in the periodical The People. It is the story of Arthur Severn, an Englishman who has inherited wealth and a title through an aunt who took him under her wing to the exclusion of closer relations. His inheritance includes land in Ireland, and now that he is a man of leisure, he decides to tour the west of Ireland. As Bram Stoker’s first full-length novel, The Snake’s Pass is a heady blend of romance, travel narrative, adventure tale, folk tradition, and national tale. This early novel shows that, long before Dracula, Stoker used the genre of the novel to engage with questions of identity, gender, ethnic stereotype, and imperial...

Orientation in European Romanticism
  • Language: en
  • Pages: 321

Orientation in European Romanticism

Exploring the experiments in individual and national self-consciousness conducted during the Romantic period, this essential comparative study of European literature, philosophy and politics makes original and often surprising connections and contrasts to reveal how personal and social identities were re-orientated and disorientated from the French Revolution onwards. Reviving a contested moment in the history of aesthetic theory, this study shows how the growing awareness of irresolution in Kant's third Kritik allowed Romantic writers to put the aesthetic to radical uses not envisaged by its parent philosophy. It also recounts how they would go on to force philosophy to revise received notions of authority, empowering women and subordinated ethnic groups to re-orientate existing hierarchies. The sheer range and variety of writers covered is testament both to the breadth of writing that Kant's philosophy so rashly legitimated and to the wider importance of philosophy to the understanding of Romantic literature.