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New ideas of security spelled the end of piracy on the Mediterranean Sea during the nineteenth century. As European states ended their military conflicts and privateering wars against one another, they turned their attention to the 'Barbary pirates' of Algiers, Tunis and Tripoli. Naval commanders, diplomats, merchant lobbies and activists cooperated for the first time against this shared threat. Together, they installed a new order of security at sea. Drawing on European and Ottoman archival records – from diplomatic correspondence and naval journals to songs, poems and pamphlets – Erik de Lange explores how security was used in the nineteenth century to legitimise the repression of piracy. This repression brought European imperial expansionism and colonial rule to North Africa. By highlighting the crucial role of security within international relations, Menacing Tides demonstrates how European cooperation against shared threats remade the Mediterranean and unleashed a new form of collaborative imperialism.
This edited collection provides new perspectives on some metaphysical questions arising in quantum mechanics. These questions have been long-standing and are of continued interest to researchers and graduate students working in physics, philosophy of physics, and metaphysics. It features contributions from a diverse set of researchers, ranging from senior scholars to junior academics, working in varied fields, from physics to philosophy of physics and metaphysics. The contributors reflect on issues about fundamentality (is quantum theory fundamental? If so, what is its fundamental ontology?), ontological dependence (how do ordinary objects exist even if they are not fundamental?), realism (what kind of realism is compatible with quantum theory?), indeterminacy (can the world itself exhibit ontological indeterminacy?). The book contains contributions from both physicists (including Nobel Prize winner Gerard 't Hooft), science communicators and philosophers.
Inhabiting the border between straight photography, performance and sculpture, Scarlett Hooft Graafland's photographs are records of her highly choreographed live performances in the salt desert of Bolivia, the Canadian and Norwegian arctic, rural China and India, the lava fields of Iceland and the Dutch countryside. Fascinated by the surreal beauty of the harsh natural landscape she utilises this as her canvas. Soft Horizons is a collection of magic installations in sparse, unforgiving landscapes that echo the aesthetic of surrealists such as Rene Magritte.