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In a conversation with Francesco Zanot, Guido Guidi looks at his artistic career, from his beginnings as a design and architecture student, to his subsequent collaborations with some of the most famous museums. In this book, Guidi recounts the genesis of his work and its most important landmarks. Francesco Zanotis a photography critic and curator. He is currently the curator of Camera Centro Italiano della Fotografia in Turin, Italy. He is the author ofAlec Soth with Francesco Zanot: Ping Pong Conversations, published internationally by Contrasto in 2013. Guido Guidiis an Italian photographer who has always questioned photography's objectivity. Among his latest publications isA New Map of Italy (Loosestrife Editions 2011).
World-renowned photographer Alec Soth discusses the history and the language of photography in a broad conversation with Francesco Zanot.
_Abounds in inspiring ideas and proposals. A helpful bibliography completes Beghtol's noteworthy and recommendable study..._ --KNOWLEDGE ORGANIZATION
By examining in detail the material life of pre-industrial peoples around the world, Fernand Braudel significantly changed the way historians view their subject. Originally published in the early 1980s, Civilization traces the social and economic history of the world from the Middle Ages to the Industrial Revolution, although his primary focus is Europe. Braudel skims over politics, wars, etc., in favor of examining life at the grass roots: food, drink, clothing, housing, town markets, money, credit, technology, the growth of towns and cities, and more. Volume I describes food and drink, dress and housing, demography and family structure, energy and technology, money and credit, and the growth of towns.
The Many Lives of Erik Kessels presents the highly anticipated first illustrated survey of this pioneering and influential curator, editor, and artist whose varied experiments with photography and photographic archives have allowed us to reconsider the medium's vernacular and narrative possibilities in today's inundated image landscape. People consume photographs, says Kessels, they don't look at them anymore. This volume is a primer on how to look--and how to better understand the hybrid practice of this artist who defies categorization. Including more than twenty of the artist's series and features essays by Simon Baker, Hans Aarsman, and curator Francesco Zanot, The Many Lives of Erik Kessels is published in conjunction with a major midcareer retrospective at CAMERA-Centro Italiano per la Fotografia in Turin, Italy.
Cover -- Title -- Copyright -- Dedication -- Contents -- List of Figures -- List of Color Plates -- Acknowledgments -- 1 Relational Ethics and Aesthetics -- Being and Thinking with Art and Animals -- Between Presence and Absence -- An Ethical Art History -- 2 Dogged Flesh: Rembrandt's Presentation in the Temple, c. 1640 -- Real and Represented Dogs -- Rembrandt's Three R's: Radical, Reflective, Revelatory -- The Rhetoric of Etching -- Fleshly Experience -- Past Made Present -- 3 Glances with Wolves: Encounters with Little John and Joseph Beuys -- Entangled Encounters -- Seeing and Being with Little John -- Presencing Other Worlds -- Imaginative Empathy -- Gathering Together in the Gap -- 4 G...
This comprehensive study of Rome’s contribution to the early history of photography traces the medium’s rise from a fledgling science to a dynamic form of artistic expression that forever changed the way we perceive the Eternal City. The authors examine the diverse transnational group of photographers who thrived in the cosmopolitan art center of Rome—and the pivotal role they played in the refinement and technical development of the nascent medium in the nineteenth century. The book ranges from the earliest pioneers—the French daguerreotypist Joseph-Philibert Girault de Prangey and the Welsh calotypist Calvert Richard Jones—to the work of the Roman School of Photography and its su...
The first transnational history of photography’s accommodation in the art museum Photography was long regarded as a “middle-brow” art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book—part institutional history, part account of shifting photographic theories and practices—Alexandra Moschovi tells the story of photography’s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography’s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.
Documents on Raphael' is not only a rediscovery project carried out on the five hundredth anniversary of Raphael?s death, but above all an operation of re-visioning. Stefano Graziani?s photographs explore the works of the artist from Urbino?with particular reference to his output as an architect?their transformation over time, and his own process that translated them into images. Graziani puts variation before permanence and reflects on the very concept of the restoration, the archive, conservation, display, and of course the original, that last so dear to the photographic debate, especially considering that Raphael never saw any of his works as we see them today. Graziani?s images, combined with reliable evidence regarding Raphael?s production, refer back to the most iconic classical genres of representation: landscape and still life.