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The authenticity of art has always commanded the attention of experts, dealers, collectors, and the art-minded public-especially those who relish the Robin Hoods of art forgery who deceive rich collectors and pompous experts. This book of essays, edited by a lawyer specializing in art law and authenticity, proposes to make the question of authenticity more easily understood. The main points to be argued are (1) that the perception of form in a work of art is not unlike other types of evidence accepted in courts of law; (2) that in determining authenticity, experts must adopt a careful, organized approach; and (3) that all authentication should be based on the consensus of experts at arm's length from an object.
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This lavish illustrated volume presents a visual history of Seliger's commitment to biomorphic abstraction and documents his extraordinary career from his auspicious beginnings as the youngest artist exhibiting with the original artisit of the Abstract Expressionist movement, through the development of his signature style of complex and intimate abstractions. 217 colour illustrations
A fresh new photographic and artistic interpretation of the daily activities of mid-20th-century New York City.
Dearborn's unprecedented access to Guggenheim's family, friends, and papers contributes rich insight to her traumatic childhood in New York, her self-education in the ways of art and artists, her battles with other art-collecting Guggenheims, and her legendary sexual appetites.
This work surveys Edwin Dickinson's life and career, both of which revolved around Cape Cod, Buffalo, and New York's Finger Lakes region. It covers the artist's influential career as a teacher, and analyzes Dickinson's self-portraits and major symbolic paintings.
An exhibition of works by the abstract expressionist artist.
This handsome book focuses on the work of African-American artists during the Depression and the war years, when government-sponsored programs led to a resurgence in artistic production throughout the United States.