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Devotional Music in the Iberian World, 1450-1800
From the fifteenth century to the beginning of the nineteenth century, devotional music played a fundamental role in the Iberian world. Songs in the vernacular, usually referred to by the generic name of 'villancico', but including forms as varied as madrigals, ensaladas, tonos, cantatas or even oratorios, were regularly performed at many religious feasts in major churches, royal and private chapels, convents and in monasteries. These compositions appear to have progressively fulfilled or supplemented the role occupied by the Latin motet in other countries and, as they were often composed anew for each celebration, the surviving sources vastly outnumber those of Latin compositions; they can ...
Daring Adaptations, Creative Failures and Experimental Performances in Iberian Theatre
In this volume, we are particularly interested in approaching theatre and performance as a dynamic and evolving practice of continuous change, regeneration and cultural mobility. Neither the dramatic texts nor their stage versions should be viewed as finished products but as creative processes in the making. Their richness lies in their unfinished and never-ending potential energy and their openness to constant revision, rehearsal, revival, and collective enterprise. This edited collection aims to create a dialogue on the artistic processes implicated in the various ways of working with the play text, the staging practices, the way audiences and critical reception can impact a production, and the many lives of Iberian theatre beyond the page or the stage. That is, its cultural and social legacies.
Francisco Llácer Pla
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Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
String Quartets
This research guide is an annotated bibliography of sources dealing with the string quartet. This second edition is organized as in the original publication (chapters for general references, histories, individual composers, aspects of performance, facsimiles and critical editions, and miscellaneous topics) and has been updated to cover research since publication of the first edition. Listings in the previous volume have been updated to reflect the burgeoning interest in this genre (social aspects, newly issued critical editions, doctoral dissertations). It also offers commentary on online links, databases, and references.
20th Century Music
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Europäische Musiker in Venedig, Rom und Neapel 1650-1750
Der Abschlussband des deutsch-französischen ANR-DFG-Projekts MUSICI widmet sich der Musikermigration im Europa der Frühen Neuzeit mit einem kultur- und musikgeschichtlichen Blick auf Venedig, Rom und Neapel als Reiseziele und Wirkungsorte von Instrumentalisten, Sängern, Komponisten und Instrumentenbauern, die nicht von der italienischen Halbinsel stammten. Im Sinne einer "histoire croisée" werden Netzwerke, Integrations- und Austauschprozesse aufgedeckt, mit denen fremde Musiker zwischen musikalischem Alltag und herausragenden Festlichkeiten konfrontiert waren. Auf dieser Grundlage wird eine systematische Betrachtung der frühneuzeitlichen Musikermigration sowie eine Untersuchung musikalischer Stile jenseits nationaler Forschungstraditionen möglich.
Analyses of Nineteenth- and Twentieth-century Music, 1940-2000
"Features over 9000 references to analyses of the works of more than 1000 composers of the nineteenth and twentieth centuries. These references address form, harmony, melody, rhythm and other structural elements of musical composition."--Cover.
El patrimoni artístic valencià
El llibre, d'elaboració col·lectiva, pretén un acostament al variat i destacat patrimoni artístic valencià, mostra de tradició i modernitat, senyal d'identitat i generador de riquesa sociocultural i econòmica. Aborda el desenvolupament de l'art en el nostre territori des de la prehistòria fins a l'actualitat amb exemples escollits, la peculiaritat i trets essencials de la seua diversitat tipològica, així com l'acció formativa especialitzada, d'estudi, tutela i difusió que s'exerceix des del Departament d'Història de l'Art de la Facultat de Geografia i Història de la Universitat de València.
El Tirant lo Blanc fet música
Tirant lo Blanc, la novel·la de Joanot Martorell, és font d'inspiració de variades propostes musicals des de la seua edició a finals del segle xv. L'objectiu central d'aquest treball és l'anàlisi d'aquestes composicions al llarg del temps. Àngel Lluís Ferrando Morales (Alcoi, 1965) és doctor per la Universitat d'Alacant dins del programa de Doctorat en Filosofia i Lletres i titulat superior en Direcció d'Orquestra i Musicologia. A més de la direcció, la composició i la docència, darrerament ha centrat la seua activitat investigadora en el camp de les relacions entre la literatura i la música.
