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Two Notes on Francisco de Holanda
CONTENTS I. The authenticity of the Roman Dialogues II. Catalogue of Francisco de Holanda's writings, drawings, paintings and architectural designs.
Dialogues with Michelangelo
- Francisco de Holanda's Dialogues record Michelangelo's participation in art discussions hosted by Vittoria Colonna, revealing his thoughts and world as he painted The Last Judgement The Dialogues by Portuguese painter and writer Francisco de Holanda give unprecedented insight into the opinions, preoccupations and character of Michelangelo, already in his lifetime the most celebrated and influential artist in Europe. These Dialogues record his participation in the discussions about art hosted by Vittoria Colonna, his closest friend. Michelangelo's opinions and ambitions during the period when he was painting The Last Judgement come vividly to life, as does the world in which he moved. No other text brings us so close to Michelangelo the artist, poet and thinker. The Dialogues are presented here in the classic translation by Charles Holroyd, painter, engraver, art historian and director of the National Gallery. The introduction by David Hemsoll situates the Dialogues in the context of Michelangelo's career and the artistic world in Rome. Sixteen pages of illustrations include some of Michelangelo's finest drawings, and views of the Rome he knew.
On Antique Painting
Francisco de Hollanda completed Da pintura antigua in 1548, eight years after the young Portuguese humanist, painter, and architect had spent two years in Italy. Book I is the first Portuguese treatise on the theory and practice of painting. In contrast to Italian texts on artistic theory, which define painting as the imitation of nature, Hollanda's treatise, influenced by Neoplatonism, develops a theory of the painter as an original creator guided by divine inspiration. Book II, "Dialogues in Rome," is a record of three conversations with Michelangelo, Vittoria Colonna, and members of their circle and a fourth with Giulio Clovio. It is the most informative and intimate intellectual portrait of Michelangelo before the biographies by Vasari and Condivi.
On Portraiture
Published to commemorate the 500th anniversary of the birth of celebrated Portuguese Renaissance court painter, architect and essayist Francisco de Holanda, On Portraiture brings back into circulation the earliest ever treatise dedicated to portraiture. This is the first published English translation.
Platonism
The sixteen essays in this volume trace the development of Platonism in the history of Western thought, starting with the revival of the Platonic tradition in the early modern period that followed the rediscovery and translation of important Greek texts. Special attention is devoted to Marsilio Ficino’s translations and commentaries; to the relationship between Platonism and Christianity; to the influence of Platonic metaphysics on the mystical tradition – in particular on Jacob Böhme and Emanuel Swedenborg; to the impact of idealism on the hermeneutical criticism of traditional philosophical categories and to the ways in which the so-called ‘Critique of Modernity’ promoted a new reading of the Platonic dialogues. The emphasis throughout is on demonstrating the theoretical and historical continuity of Platonism over the centuries. Contributors are: Laura Candiotto, Pierpaolo Ciccarelli, Anna Corrias, Francesca Maria Crasta, Eva del Soldato, Laura Follesa, Guido Giglioni, Nicholas Holland, Andrea Le Moli, Brunello Lotti, Cecilia Muratori, Arnold Oberhammer, Paula Oliveira e Silva, Valery Rees, Pasquale Terracciano, and Angelo Maria Vitale.
The Artist as Reader
Based on the history of knowledge, the contributions to this volume elucidate various aspects of how, in the early modern period, artists’ education, knowledge, reading and libraries were related to the ways in which they presented themselves
Cosmigraphics
Visual history of the discovery of the universe, told through illustrations, maps, diagrams, speculative works of representation, and data visualizations.
Slave Portraiture in the Atlantic World
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
Ficino and Fantasy
Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? Art historians have been fiercely debating this question for decades. This book starts with Ficino’s views on the imagination as a faculty of the soul, and shows how these ideas were part of a long philosophical tradition and inspired fresh insights. This approach, combined with little known historical material, offers a new understanding of whether, how and why Ficino’s Platonic conceptions of the imagination may have been received in the art of the Italian Renaissance. The discussion explores Ficino’s possible influence on the work of Botticelli and Michelangelo, and examines the appropriation of Ficino’s ideas by early modern art theorists.
