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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.
Barangay presents a sixteenth-century Philippine ethnography. Part One describes Visayan culture in eight chapters on physical appearance, food and farming, trades and commerce, religion, literature and entertainment, natural science, social organization, and warfare. Part Two surveys the rest of the archipelago from south to north.
In The Boxer Codex, the editors have transcribed, translated and annotated an illustrated late-16th century Spanish manuscript. It is a special source that provides evidence for understanding early-modern geography, ethnography and history of parts of the western Pacific, as well as major segments of maritime and continental South-east Asia and East Asia. Although portions of this gem of a manuscript have been known to specialists for nearly seven decades, this is the first complete transcription and English translation, with critical annotations and apparatus, and reproductions of all its illustrations, to appear in print.
Drawing on a wide range of Dutch, English, French, Italian, Portuguese, and Spanish sources, Empires of Love shows how the encounter with Asia shaped the way early modern Europeans came to define their racial and sexual identities.
From the fifteenth century to the beginning of the nineteenth century, devotional music played a fundamental role in the Iberian world. Songs in the vernacular, usually referred to by the generic name of 'villancico', but including forms as varied as madrigals, ensaladas, tonos, cantatas or even oratorios, were regularly performed at many religious feasts in major churches, royal and private chapels, convents and in monasteries. These compositions appear to have progressively fulfilled or supplemented the role occupied by the Latin motet in other countries and, as they were often composed anew for each celebration, the surviving sources vastly outnumber those of Latin compositions; they can ...
Rene B. Javellana's Weaving Cultures: The Invention of Colonial Art and Culture in the Philippines, 1565-1850 reads the emergence of a unique art and culture in the Philippines during the colonial era from the optic of communications theory and the emerging theoretical discourse from information design. It views colonial exchange not primarily as an exchange of cultural goods, but as a negotiation forged by the communication between sender and receiver. In such a process, the cultural good is transformed as it leaves the context of the sender and it transferred to the context of the receiver, who may be antipodes of each other - physically, psychologically, and culturally - as was the case of Filipinos and Europeans. It traces exchanges in the areas of space, the biota, the visual, literary, performative, culinary, and sartorial arts and documents how messages are transmitted, decoded and transformed to create the new reality of colonial art and culture.--Artbooks.ph.
What kind of reciprocity exists between unequal partners? How can a 'culture' which makes no attempt to defend unchanging traditions be understood as such? In the Christian Philippines, inequalities - global and local - are negotiated through idioms of persuasion, reluctance and pity. Fenella Cannell's study suggests that these are the idioms of a culture which does not need to represent itself as immutable. Her account of Philippine spirit-mediumship, Catholicism, transvestite beauty contests, and marriage in Bicol calls for a reassessment of our understanding of South-East Asian modernity. Combining a strong theoretical interest in the anthropology of religion with a broader comparative attention to recent developments in South-East Asian studies, she offers a powerful alternative to existing interpretations of the relationship between culture and tradition in the region and beyond. This book addresses not only South-East Asianists, but all those with an interest in the anthropology of religion and post-colonial cultures. Power and Intimacy in the Christian Phillipines has won the Harry J. Benda prize for 2001.
Piracy and the Making of the Spanish Pacific World offers a new interpretation of Spanish colonial rule in the Philippine islands. Drawing on the rich archives of Spain’s Asian empire, Kristie Patricia Flannery reveals that Spanish colonial officials and Catholic missionaries forged alliances with Indigenous Filipinos and Chinese migrant settlers in the Southeast Asian archipelago to wage war against waves of pirates, including massive Chinese pirate fleets, Muslim pirates from the Sulu Zone, and even the British fleet that attacked at the height of the Seven Years’ War. Anti-piracy alliances made Spanish colonial rule resilient to both external shocks and internal revolts that shook the...