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Obras
La personalidad literaria del autor es una de las más sorprendentes y atractivas de las que surgieron en los años veinte en España, próximos a la primera vanguardia, al ultraísmo y al creacionismo. Fruto de ella presentamos una recopilación de poemas representativos y sus escritos breves en prosa, colaboraciones que aparecieron en la prensa de la época.
In Pursuit of Poem Shadows
In Pursuit of Poem Shadows: Pureza Canelo's Second Poetics deciphers the intricate poetic language of Pureza Canelo (Spain, 1946) through a close analysis of her mature works. Designed to complement Nature's Colloquy with the Word (Bucknell, 2004), the current text traces concerns related to the poet's second stage of evolvement. In contextualizing the poet's work, Pritchett discovers commonalities with Romantic, Modernist, and creacionista poets. Canelo's insights, moreover, display a resemblance to Heidegger's thought on time, being, and poetry, Lacan's ideas on experience and language, and 3iyek's view of the subject's relationship to the object.
Galdos: Meow
Benito Pérez Galdós’ finely-crafted novel, Meow, is a tragi-comedy.
The Calderonian Stage
"This collection of essays invites the contemporary reader to consider the works of Pedro Calderon de la Barca (1600-81), who became the most important and influential dramatist of the second period of the Spanish Golden Age, just as Lope de Vega (1562-1635) was for the preceding generation. A follower of Lope in his youth, Calderon, as a mature playwright, developed a drama all of his own, a drama that was highly conceptual, tightly knit, symbolic, and, in many cases, spectacular. Calderon's artistry in verbal and visual symbolism made the performance of his works a feast for both the senses and the intellect." "Until now, many of Calderon's critics have focused their attention on how the p...
De Re Poetica
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Más perenne que el bronce. El discurso autopoético en la lírica española contemporánea
Los diversos formatos en los que el ser humano ha materializado la escritura –el papiro, el pergamino, el papel e, incluso, una hoja de procesador de textos– poseen una naturaleza fungible. Infinitas amenazas salen al paso del soporte de lo artístico: el olvido que conlleva el devenir temporal, las catástrofes imprevistas (como los incendios de bibliotecas, un virus informático) y las destrucciones intencionales conforman un breve muestrario. A pesar de todo, se dijo de la poesía que era “más perenne que el bronce”, que podría durar más que las estatuas o que las superficies exclusivas sobre las que se grababa un acontecimiento importante. En este libro se estudian el funciona...
