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The pace and scale of the exchange of cultural goods of all sorts&—paintings, furniture, even ladies' fans&—increased sharply in nineteenth-century Spain, and new institutions and practices for exhibiting as well as valorizing &"art&" were soon formed. Oscar V&ázquez maps this cultural landscape, tracing the connections between the growth of art markets and changing patterns of collecting. Unlike many earlier students of collecting, he focuses not upon questions of taste but rather upon the discursive and institutional frameworks that came to regulate art's economic and symbolic worth at all levels of Spanish society. Drawing upon sources that range from newspaper reviews to notarial documents, V&ázquez shows how collecting acquired the power to mediate debates over individual, regional, and national identity. His book also looks at the emergence of a new state apparatus for arts administration and situates these social and political changes in the broader European context. Inventing the Art Collection will be of interest to historians and sociologists of Spain and Europe, as well as art historians and cultural theorists.
Hispanic Studies; Literature; Latin American Studies.
This volume explores phenomena which come under the heading of epistemic modalities and evidentiality in more or less well-known languages (Germanic, Romance, Balto-Slavic, Hungarian, Tibetan, Lakandon and Yucatec Maya, Arwak-Chibchan Kogi and Ika). It reveals cross-linguistic variations in the structuring of these vast fields of enquiry and clearly demonstrates the relevance and interplay of multiple factors involved in the analysis of these two conceptual domains. Although the contributions present diverging descriptive traditions, they are nonetheless within the broad domain of functional-typological linguistics and give access to distinct yet comparable approaches. They all converge arou...
Amb els mapes, a més de ciència, es fa política. El 1939 els catalans algueresos, i altres pobles d'Itàlia, foren eliminats d'un mapa etnogràfic de tot Europa elaborat a Milà pel Touring Club Italiano. Les minories en qüestió hi havien figurat des de 1927, però finalment els mussolinians van imposar sobre aquella obra els postulats feixistes més extrems. Aquest llibre, bastit sobre mapes «de pobles i llengües» dels segles XIX i XX, es deté en la confluència de les disciplines cartogràfica, etnològica i lingüística, les conviccions ideològiques i l'exercici del poder polític. L'obra, que ha estat mereixedora del Premi Joan Coromines 2013 d'investigació filològica, històrica o cultural, patrocinat per la Societat Coral «El Micalet», reflexiona sobre les visions exògenes d'unes identitats socioterritorials que continuen concitant estudis i pulsions.
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