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Always Different, Always the Same
The Fall, led by Mark E. Smith, were one of the most intriguing, influential, and prolific post-punk groups in British popular culture. Always Different, Always the Same: Critical Essays on The Fall is a thorough and critical account of the group, engaging with the often complex and challenging creative work. In this groundbreaking text, volume editors Eoin Devereux and Martin J. Power bring together contributions from a wide variety of disciplinary homes, including ethnomusicology, sociology, literary theory, linguistics, journalism, cultural studies, and film and media studies. Contributors Kieran Cashell, Brian Clancy, Matt Davies, Eoin Devereux, Samuel Flannagan, John Fleming, Gavin Friday, Mike Glennon, K. A. Laity, Ben Lawley, John McFarland, David Meagher, Michael Mary Murphy, Martin Myers, Martin J. Power, Suzanne Smith, Elaine Vaughan, Paul Wilson.
Culture Is Not Always Popular
A collection of writing about design from the influential, eclectic, and adventurous Design Observer. Founded in 2003, Design Observer inscribes its mission on its homepage: Writings about Design and Culture. Since its inception, the site has consistently embraced a broader, more interdisciplinary, and circumspect view of design's value in the world—one not limited by materialism, trends, or the slipperiness of style. Dedicated to the pursuit of originality, imagination, and close cultural analysis, Design Observer quickly became a lively forum for readers in the international design community. Fifteen years, 6,700 articles, 900 authors, and nearly 30,000 comments later, this book is a com...
A School for Design Fiction
What if the primary function of design wasnt to build beautiful or functional
Designing Desire: Towards an autonomous editorial practice
Designing Desire: Towards an Autonomous Editorial Practice is an attempt to establish a personal positioning within the polarised practice of graphic design, commonly divided between persuasion and communication. Through a general historical review focusing on the more recent advent of "critical design", the thesis argues for the necessity of developing an autonomous practice to recover the social dimension of graphic design. Drawing from fields apparently distance from design, such as philosophy, chemistry or biology, we reach "memetics" as an evolutionary theory of mental content, capable of providing the necessary arguments to sustain a pertinent editorial design practice.
The Trouble with Speculation
Bringing together contributors from Europe, North America and Australia, this book questions the purpose and outcomes of speculation in practical settings. In the context of interrelated and complex global challenges, speculation is not just useful but necessary. The chapters in this book present a cross-disciplinary dialogue of people that are developing work in speculation and interrogates its practices and ethical and political charges. Through these discussions, the book explores the potential of speculation in addressing issues such as climate change, urban futures and new political practices.
Design and Democracy. Modes of Criticism 3
Modes of Criticism' is a design criticism journal published annually. It was created in the context of Francisco Laranjo?s research at the London College of Communication, which sought to develop design methods for a critical design practice with attention to the emergence of recent terminology such as critical design, design fiction and speculative design within graphic design. 'Modes of Criticism' addresses a gap in design discourse in relation to these terms, their history, methods and criticism. It examines what is meant by ?criticality? in design, and works towards the politicisation of its discourse and practice.0.
Multidisciplinary Aspects of Design
This open access book gathers the contributions from the Design! OPEN International Conference, held in Parma, Italy in May 2022. The conference explored the multidisciplinary aspects of design starting from its dimensions: objects (design as focused on the object, on its functional and symbolic dimension, and at the same time on the object as a tool for representing cultures), processes (the designer’s self-reflective moment which is focused on the analysis and on the definition of processes in various contexts, spanning innovation, social engagement, reflection on emergencies or forecasting), experiences (design as a theoretical and practical strategy aimed at facilitating experiential interactions among people, people and objects or environments), and narratives (making history, representing through different media, archiving, narrating, and exhibiting design). The contributions, which were selected by means of a rigorous international peer-review process, highlight numerous exciting ideas that will spur novel research directions and foster multidisciplinary collaboration among different specialists.
Systems Ultra
Systems Ultra explores how we experience complex systems: the mesh of things, people, and ideas interacting to produce their own patterns and behaviours. What does it mean when a car which runs on code drives dangerously? What does massmarket graphics software tell us about the workplace politics of architects? And, in these human-made systems, which phenomena are designed, and which are emergent? In a world of networked technologies, global supply chains, and supranational regulations, there are growing calls for a new kind of literacy around systems and their ramifications. At the same time, we are often told these systems are impossible to fully comprehend and are far beyond our control. ...
Discursive Design
Exploring how design can be used for good—prompting self-reflection, igniting the imagination, and affecting positive social change. Good design provides solutions to problems. It improves our buildings, medical equipment, clothing, and kitchen utensils, among other objects. But what if design could also improve societal problems by prompting positive ideological change? In this book, Bruce and Stephanie Tharp survey recent critical design practices and propose a new, more inclusive field of socially minded practice: discursive design. While many consider good design to be unobtrusive, intuitive, invisible, and undemanding intellectually, discursive design instead targets the intellect, pr...
