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The first collection of critical essays on the work of Francois Laruelle.
A crucial text in the development of François Laruelle's oeuvre and an excellent starting point for understanding his broader project, Philosophies of Difference offers a theoretical and critical analysis of the philosophers of difference after Hegel and Nietzsche. Laruelle then uses this analysis to introduce a new theoretical practice of non-philosophical thought. Rather than presenting a narrative historical overview, Laruelle provides a series of rigorous critiques of the various interpretations of difference in Hegel, Nietzsche and Deleuze, Heidegger and Derrida. From Laruelle's innovative theoretical perspective, the forms of philosophical difference that emerge appear as variations u...
Francois Laruelle's magnum opus, in which he presents a treatise on the method, axioms and objectives of non-philosophy.
In Principles of Non-Philosophy, Laruelle develops the concepts and method of a more democratic form of thought where neither science nor philosophy is subjected to one another, but brought together in a more productive theoretical and practical relationship. While the potential importance of this project is clear, Laruelle remains famously difficult. Anthony Paul Smith provides an introduction and guide to the text that situates you amongst the figures and concepts Laruelle engaged with, provides a foothold for your own understanding and, more importantly, potential use of the project of non-philosophy.
Principles of Non-Philosophy is a treatise on the method, axioms and objectives of non-philosophy and represents François Laruelle's mature philosophy. As well as presenting the method and principles of non-philosophy, it includes a history of the development of non-philosophy, a novel conception of science, a discussion of non-philosophical causality and new theories of the subject and object of thought. Providing an introduction to Laruelle's novel theory of 'non-epistemology' or 'unified theory of thought', this volumes challenges the way we think about the traditional philosophical problems. Bringing together all the elements of his thought developed over twenty years and laying the foundations for his later work, Principles of Non-Philosophy is arguably Laruelle's magnum opus.
François Laruelle's non-philosophy or non-standard philosophy represents a bold attempt to rethink how philosophy is practiced in relation to other domains of knowledge. There is a growing interest in Laruelle's work in the English-speaking world, but his work is often misunderstood as a wholesale critique of philosophy. In this book Anthony Paul Smith dispels this misunderstanding and shows how Laruelle's critique of philosophy is guided by the positive aim of understanding philosophy's structure so that it can be creatively recast with other discourses and domains of human knowledge, from politics and ethics to science and religion. This book provides a synthetic introduction to the whole...
This book is a foundational text for our understanding of François Laruelle, one of France's leading thinkers, whose ideas have emerged as an important touchstone for contemporary theoretical discussions across multiple disciplines. One of Laruelle’s first systematic elaborations of his ethical and "non-philosophical" thought, this critical dialogue with some of the dominant voices of continental philosophy offers a rigorous science of individuals as minorities or as separated from the World, History, and Philosophy. Through novel theorizations of finitude and determination in the last instance, Laruelle develops a thought "of the One" as a "minoritarian" paradigm that resists those parad...
A rigorous new thinking of the photograph in its relation to science, philosophy, and art, so as to discover an essence of photography that precedes its historical, technological, and aesthetic conditions. If philosophy has always understood its relation to the world according to the model of the instantaneous flash of a photographic shot, how can there be a “philosophy of photography” that is not viciously self-reflexive? Challenging the assumptions made by any theory of photography that leaves its own “onto-photo-logical” conditions uninterrogated, Laruelle thinks the photograph non-philosophically, so as to discover an essence of photography that precedes its historical, technological and aesthetic conditions. The Concept of Non-Photography develops a rigorous new thinking of the photograph in its relation to science, philosophy, and art, and introduces the reader to all of the key concepts of Laruelle's “non-philosophy.”
François Laruelle has been developing his project of non-philosophy since the 1970s. Throughout this time he has aimed at nothing less than the discovery and development of a new form of thinking that draws its material from philosophy and related disciplines, but uses them in inventive new ways that are seen as heretical by standard philosophical approaches. The contributions to this volume highlight Laruelle’s own distinctive approach to the history of thought and bring together researchers in the Anglophone and Francophone world who have taken up the project of non-philosophy in their own way, developing new heresies, sometimes even in relation to non-philosophy itself. The contributions here show the scope of non-philosophy with essays on gender, science, religion, politics, animals, and the history of philosophy. They are all brought together, not in a city of intellectuals bound together by law, but within a city of heretics bound together only by their status as stranger. This book was originally published as a special issue of Angelaki.
"Departing from the conventional readings of Karl Marx's Capital and other of his works, by way of François Laruelle's "radicalization of concepts," Katerina Kolozova identifies a theoretical kernel in Marx's thought whose critical and interpretative force can be employed without reference to its subsequent interpretations in the philosophical mainstream. The latter entails a process of abstracting a philosophical legacy - or rather, of putting it in brackets - and then codifying a history of a learned interpretation established in supposed fidelity to the theoretical project of a "master." Interpreting the master implies a mastery of doctrinal tools, which results in establishing a catechi...