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The Cinema of Ousmane Sembene, A Pioneer of African Film
The films of Ousmane Sembene are powerful representations of the newly emerging black African cinema. In this interpretive study of his most significant films, Francoise Pfaff examines Sembene's pioneering efforts over the last two decades. While focusing primarily on the realistic and symbolic levels of his works, the stylistic and technical aspects are also examined. Pfaff discusses the aesthetic, sociopolitical, and metaphysical values of Sembene's oeuvre within its African context. His depiction of the tension between traditional and modern African life is explored. Pfaff includes film stills and excerpts from interviews with Sembene and other African filmmakers. She concludes with comments about Sembene's contributions to our intercultural heritage.
Twenty-Five Black African Filmmakers
An invaluable work on black African cinema has at last appeared in English. Francoise Pfaff's volume synthesizes relevant information, devoid of hagiography, about twenty-five sub-Saharan African filmmakers, according a separate chapter--consisting of a biography, filmography, and thematic analyses of individual films--to each. Varying critical viewpoints are brought to bear from both African and non-African perspectives. The author has gone beyond translation and compilation to explore the decades of black African cinema within the historical context of the continent's problematic emancipation. . . . Twenty-Five Black African Filmmakers offers enormous insight along with valuable data heret...
Conversations with Maryse Condä
This book is an exploration of the life and art of Maryse Condi, who first won international acclaim for Segu, a novel about West African experience and the slave trade. Born in Guadeloupe in 1937, Condi lived in Guinea after it won its independence from France. Later she lived in Ghana and Senegal during turbulent, decisive moments in the histories of these countries. Her writings-novels, plays, essays, stories, and children's books-have led her to an increasingly important role within Africa and throughout the world. Frangoise Pfaff met Maryse Condi in 1981, when she first interviewed her. Their friendship grew quickly. In 1991 the two women continued recording conversations about Condi's ...
Focus on African Films
'Focus on African Films' offers pluralistic perspectives on filmmaking across Africa, highlighting the distinct thematic, stylistic, and socioeconomic circumstances of African film production.
Rewriting the Return of Africa
Rewriting The Return to Africa: Voices of Francophone Caribbean Women Writers examines the ways Guadeloupean women writers Maryse Condé, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the its masculinist version by Négritude male writers from the 1930s to 1960s. Négritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Négritude, differ sharply from their male counterparts in their representation of Africa. In their novels, t...
Globalizing the Postcolony
Globalizing the Postcolony: Contesting Discourses of Gender and Development in Francophone Africa is a study of development in the former French colonies of West Africa. It takes as its starting point the international community's reporting on human and social development and gender in the developing areas, which began systematically in 1990 and which has provided a framework for policy-making in this field. This study analyzes current thinking on the challenges facing gender and development in Africa, before moving on to examine the historical factors marking the gender and development profile of the francophone West African region. Through an analysis of gender politics in the region from pre-colonial to postcolonial times, the book examines the gradual incursion of exogenous gender policies into the region throughout the 20th century.
Redirecting the Gaze
Examines the work and aspirations of women filmmakers in Latin America, Africa, and Asia, as well as in marginalized communities within the United States, with particular attention to issues of gender, race, nation, and aesthetics.
Everything Is Sampled
Everything Is Sampled examines the shifting modes of production and circulation of African artistic forms since the 1980s, focusing on digital culture as the most currently decisive setting for these changes. Drawing on works of cinema, literature, music, and visual art, Akin Adekan. addresses two main questions. First, given the various changes that the institutions producing African arts and letters have undergone in the past four decades, how have the representational impulses in these forms fared in comparison with those at work in pervasively digital cultures? Second, how might a long view of these artistic forms across media and in different settings affect our understanding of what co...
