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This volume investigates unexplored areas of O'Connor's work: his achievements as a translator or Irish language poetry, his role in the debates on Irish literary modernism, his relationships with writers and intellectuals of his time, and Denis Johnston's film adaptation of 'Guests of the Nation', are examined.
The first two volumes of O'Connor's autobiography. AN ONLY CHILD is the entrancing story of an Irish childhood and a youthful involvement in the Irish rebellion which leads to internment. In MY FATHER'S SON O'Connor is released after the Civil war to begin a turbulent career as a writer, sharing his life and loves in Dublin with characters as formidable as Yeats and Lennox Robinson.
Introduction by Russell Banks. The legendary book about writing by the legendary writer is back! Frank O’Connor was one of the twentieth century’s greatest short story writers, and one of Ireland’s greatest authors ever. Now, O’Connor’s influential and sought-after book on the short story is back. The Lonely Voice offers a master class with the master. With his sharp wit and straightforward prose, O’Connor not only discusses the techniques and challenges of a form in which "a whole lifetime must be crowded into a few minutes," but he also delves into a passionate consideration of his favorite writers and their greatest works, including Chekhov, Hemingway, Kipling, Joyce, and others.
In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce. Looking at ideas such as the Intrusive Author, Suspense, the Epistolary Novel, Magic Realism and Symbolism, and illustrating each topic with a passage taken from a classic or modern novel, David Lodge makes the richness and variety of British and American fiction accessible to the general reader. He provides essential reading for students, aspiring writers and anyone who wants to understand how fiction works.
Frank O'Connor's enormous literary success is all the more remarkable given that he was born and brought up in the slums of Cork, his childhood marked by poverty and illness. In 1928, he set off for the excitement of Dublin, where he became great friends with W.B. Yeats, Lady Gregory, and George Russell. After the success of his first book, Guests of a Nation, O'Connor was unstoppable. As well as writing plays, short stories, criticism, and poetry, he became the director of the legendary Abbey Theatre. He continued to write, even when illness forced him to give up all else. Much of what he wrote, however, was banned due to Irish censorship laws, and so he decided to broaden his horizons in America. There, his success was huge but short-lived—illness forced his return to Ireland for good, where he died in 1966. Today, more than three decades after his death, Frank O'Connor's works are as popular as ever. Jim McKeon's thoughtful portrait will surely be welcomed by all admirers.
The stories collected here demonstrates the richness of the short story tradition in Ireland from the end of the last century to the period following the Second World War. The authors represented are: George Moore, Somerville and Ross, Daniel Corkery, Jame Stephens, Liam O'Flaherty, L.A.G. Strong, Sean O'Faoláin, Frank O'Connor, Eric Cross, Michael McLaverty, Bryan MacMahon, Mary Lavin, James Plunkett, James Joyce, and Elizabeth Bowen. `this is as good a collection of stories as you could find anywhere and fully deserves its new description "classic".' Books and Bookmen
The contents have been intriguingly divided into eight narrative threads that influenced and informed O'Connor's oeuvre. War includes the famous 'Guests of the Nation', set during the Irish War of Independence; Childhood draws on autobiographical writings to present a revealing picture of the author as a boy, the only child of an alcoholic father and doting mother; Writers bears witness to his literary debt to Yeats and Joyce. The stories in Lonely Voices movingly demonstrate O'Connor's theory that in this genre can be achieved 'something we do not often find in the novel - an intense awareness of human loneliness'; yet they are counterparted by his wonderfully polyphonic tales of family, friendship and rivalry in Better Quarrelling. In Ireland come poems, stories and articles inspired by the native land he loved but never sentimentalized, while from Abroad the writer in exile discourses upon universally relevant themes of emigration, hardship, absence and return. Finally, Last Things contains O'Connor's thoughts on religion, the church, the soul and its destiny, but remains above all a celebration of humanity 'who for me represented all I should ever know of God'.
"One of the masters of the short story".--NEWSWEEK. "In almost all the stories in this excellently balanced collection O'Connor's people explode from the page. The nice are here and the nasty: the gentle, the generous, the mean, the absurd, those rich in dignity, those without a shred of it. . . . Without adornment, he simply tells the truth".--WASHINGTON POST BOOK WORLD. Copyright © Libri GmbH. All rights reserved.
Jackie faces his first confession with great trepidation following a warning lecture from his obnoxious, older sister.