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O'Connor is a young writer struggling to find his place and his voice in a profoundly changed Ireland. Gradually, he begins to establish a formidable reputation. Guests of the Nation and The Saint and Mary Kate belong to this period. The excitement of the Irish literary renaissance is made immediate as O'Connor tells of his friend the poet George Russell, who was the first to publish his work, and of his participation in the triumphs and rivalries of the Abbey Theatre. Here, beautifully rendered, are playwrights Lady Gregory, J. M. Synge, Lennox Robinson, and Sean O'Casey. Central to the book—as he was to O'Connor's life and work—is the complex and majestic figure of William Butler Yeats. The memoir ends with Yeats's death and with it O'Connor's realization that he can no longer divide his talent between his job and his passion. He begins, at last, his life as a writer.
The first two volumes of O'Connor's autobiography. AN ONLY CHILD is the entrancing story of an Irish childhood and a youthful involvement in the Irish rebellion which leads to internment. In MY FATHER'S SON O'Connor is released after the Civil war to begin a turbulent career as a writer, sharing his life and loves in Dublin with characters as formidable as Yeats and Lennox Robinson.
The most generous one-volume collection ever published of short stories, autobiographical writings,poetry, and essays by the writer Yeats called “Ireland’s Chekhov.” Selected and arranged thematically by Julian Barnes, the rich mix of writings in The Best of Frank O’Connor starts off with his most famous short story, “Guests of the Nation,” set during the Irish War of Independence; chronicles his childhood with an alcoholic father and protective mother; and traces his literary influences in brilliant essays on Joyce and Yeats. O’Connor’s wonderfully polyphonic tales of family, friendship, and rivalry are set beside those that bring to life forgotten souls on the fringes of society. O’Connor’s writings about Ireland vividly evoke the land he called home, while other stories probe the hardships and rewards of Irish emigration. Finally, we see O’Connor grappling, in both fiction and memoir, with the largest questions of religion and belief. The Best of Frank O’Connor is a literary monument to a truly great writer.
This volume investigates unexplored areas of O'Connor's work: his achievements as a translator or Irish language poetry, his role in the debates on Irish literary modernism, his relationships with writers and intellectuals of his time, and Denis Johnston's film adaptation of 'Guests of the Nation', are examined.
Introduction by Russell Banks. The legendary book about writing by the legendary writer is back! Frank O’Connor was one of the twentieth century’s greatest short story writers, and one of Ireland’s greatest authors ever. Now, O’Connor’s influential and sought-after book on the short story is back. The Lonely Voice offers a master class with the master. With his sharp wit and straightforward prose, O’Connor not only discusses the techniques and challenges of a form in which "a whole lifetime must be crowded into a few minutes," but he also delves into a passionate consideration of his favorite writers and their greatest works, including Chekhov, Hemingway, Kipling, Joyce, and others.
Frank O'Connor's enormous literary success is all the more remarkable given that he was born and brought up in the slums of Cork, his childhood marked by poverty and illness. In 1928, he set off for the excitement of Dublin, where he became great friends with W.B. Yeats, Lady Gregory, and George Russell. After the success of his first book, Guests of a Nation, O'Connor was unstoppable. As well as writing plays, short stories, criticism, and poetry, he became the director of the legendary Abbey Theatre. He continued to write, even when illness forced him to give up all else. Much of what he wrote, however, was banned due to Irish censorship laws, and so he decided to broaden his horizons in America. There, his success was huge but short-lived—illness forced his return to Ireland for good, where he died in 1966. Today, more than three decades after his death, Frank O'Connor's works are as popular as ever. Jim McKeon's thoughtful portrait will surely be welcomed by all admirers.
The stories collected here demonstrates the richness of the short story tradition in Ireland from the end of the last century to the period following the Second World War. The authors represented are: George Moore, Somerville and Ross, Daniel Corkery, Jame Stephens, Liam O'Flaherty, L.A.G. Strong, Sean O'Faoláin, Frank O'Connor, Eric Cross, Michael McLaverty, Bryan MacMahon, Mary Lavin, James Plunkett, James Joyce, and Elizabeth Bowen. `this is as good a collection of stories as you could find anywhere and fully deserves its new description "classic".' Books and Bookmen
The definitive collection from an Irish literary icon, “one of the masters of the short story” (Newsweek). In the words of W. B. Yeats, Frank O’Connor “did for Ireland what Chekhov did for Russia.” Anne Tyler, writing in the Chicago Sun-Times, described his tales as “encapsulated universes.” This indispensable volume contains the best of his short fiction, from “Guests of the Nation” (adapted into an Obie Award–winning play) to “The Mad Lomasneys” to “First Confession” to “My Oedipus Complex.” Dublin schoolteacher Ned Keating waves good-bye to a charming girl and to any thoughts of returning to his village home in the lyrical and melancholy “Uprooted.” A b...
In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce. Looking at ideas such as the Intrusive Author, Suspense, the Epistolary Novel, Magic Realism and Symbolism, and illustrating each topic with a passage taken from a classic or modern novel, David Lodge makes the richness and variety of British and American fiction accessible to the general reader. He provides essential reading for students, aspiring writers and anyone who wants to understand how fiction works.
A blockbuster collection from one of Ireland’s most exciting young voices: “Sharp and lively . . . a rough, charged, and surprisingly fun read” (Interview). A National Book Foundation 5 Under 35 Honoree * Winner of the Frank O’Connor International Short Story Award * Winner of the Guardian First Book Award * Winner of the Rooney Prize for Irish Literature Enter the small, rural town of Glanbeigh, a place whose fate took a downturn with the Celtic Tiger, a desolate spot where buffoonery and tension simmer and erupt, and booze-sodden boredom fills the corners of every pub and nightclub. Here, and in the towns beyond, the young live hard and wear the scars. Amongst them, there’s jilte...