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"Kraig addresses this oversight by examining the rich neo-classical traditions of Anglo-American oratory and statesmanship, the rhetorical pedagogy of the Gilded Age, and the development of Wilson's own political thought. He concludes with consideration of how Wilson's conception of oratorical leadership influenced his innovative conduct of the presidency."--Jacket.
A history of our time.
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Christian Bagge, an Iraq War veteran, lost both his legs in a roadside bomb attack on his Humvee in 2006. Months after the accident, outfitted with sleek new prosthetic legs, he jogged alongside President Bush for a photo op at the White House. The photograph served many functions, one of them being to revive faith in an American martial ideal—that war could be fought without permanent casualties, and that innovative technology could easily repair war’s damage. When Bagge was awarded his Purple Heart, however, military officials asked him to wear pants to the ceremony, saying that photos of the event should be “soft on the eyes.” Defiant, Bagge wore shorts. America has grappled with ...
When first published in 1975, Him/Her/Self was a pathbreaking book. At a time when scholars were just beginning to explore women's history, Peter Filene expanded his inquiry to include both both genders. He was the first to claim the men, too, had a history grounded in gendered experience. Since then much has changed, not only in the lives and attitudes of American men and women, but in the ways that historians think about gender. But Him/Her/Self remains the only book that analyzes the interactions between American men and women comprehensively during the past century. In this third edition, Filene brings his concise and forceful analysis of 20th-century gender history up to the present. He...
Before movies, radio, and television challenged the hegemony of the printed word, the Saturday Evening Post was the preeminent vehicle of mass culture in the United States. And to the extent that a mass medium can be the expression of a single individual, this magazine, with a peak circulation of almost three million copies a week, was the expression of its editor, George Horace Lorimer. Cohn shows how Lorimer made the Post into a uniquely powerful magazine that both celebrated and helped form the values of the time.
"Containing the public messages, speeches, and statements of the President", 1956-1992.
From cynical portrayals like The Front Page to the nuanced complexity of All the President’s Men, and The Insider, movies about journalists and journalism have been a go-to film genre since the medium's early days. Often depicted as disrespectful, hard-drinking, scandal-mongering misfits, journalists also receive Hollywood's frequent respect as an essential part of American life. Matthew C. Ehrlich tells the story of how Hollywood has treated American journalism. Ehrlich argues that films have relentlessly played off the image of the journalist as someone who sees through lies and hypocrisy, sticks up for the little guy, and serves democracy. He also delves into the genre's always-evolving myths and dualisms to analyze the tensions—hero and oppressor, objectivity and subjectivity, truth and falsehood—that allow journalism films to examine conflicts in society at large.