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Billboard
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
A Wolff in the Family
Based on a true story, A Wolff in the Family is a riveting saga of prejudice, passion, and revenge, perfect for fans of Kristin Hannah’s The Four Winds. What mysterious scandals led a father to abandon the youngest of his children—and for the elder siblings to keep their shame secret for eighty years? Frank and Naomi Wolff were happily married in 1908. She was a Kansas farmgirl; he was a railroad engineer. She was excited to embark upon her role as wife and mother with a hardworking man, and in their early years together they made a life in thriving Ogden, Utah. Despite Frank’s almost-constant absence for his job riding the rails, which left pretty Naomi to raise their children virtual...
The New Poverty Row
Since cinema's earliest beginnings, there has been friction between producers and directors. Shady accounting practices, which favored the distributors at the expense of the filmmakers, were all too common, causing many filmmakers to form independent companies to make and distribute their own product. This book examines six such low-budget exploitation companies--Associated Distributors Productions, Filmgroup, Hemisphere Pictures, American General Pictures, Independent-International Pictures, Dimension Pictures, and the author's own American-Independent Productions. A brief history of each company, laced with quotes from the company's principals, is presented, followed by a filmography that lists all known credits for that company.
We Are All Astronauts
"We are all astronauts", the American architect and thinker Richard Buckminster Fuller wrote in 1968 in his book Operating Manual for Spaceship Earth, where he compared Earth to a spaceship, provided only with exhaustible resources while flying through space. These words show the presence the phenomenon of the astronaut and the cosmonaut had in the public mind from the second half of the twentieth century on: Buckminster Fuller was able to drive his point home by asking his audience to identify with one of the most prominent figures in the public sphere then: the space traveler. At the same time, Buckminster Fuller's words themselves seem to have played a significant role in further shaping the space-exploring human as a symbol and an image of humankind in general. The twelve contributions in this book by authors from the fields of literature, music, politics, history, the visual arts, film, computer games, comics, social sciences, and media theory track the development, changes and dynamics of this symbol by analyzing the various images of the astronaut and the cosmonaut as constructed throughout the different decades of space exploration, from its beginning to the present day.
Hearings
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Wild Beyond Belief!
Exploitation filmmakers played a significant role in revolutionizing American cinema during the 1960s and early 1970s, churning out a string of independent Westerns, biker films, nudie-cuties and horror flicks in record times and often on shoestring budgets. With titles like Horror of the Blood Monsters, Cycle Savages and The Incredible 2-Headed Transplant, these films pushed the boundaries of acceptable on-screen violence and nudity and kept the American theater industry afloat as several major studios teetered on the brink of financial collapse. This work tells the story of that "other" Hollywood through interviews with 16 directors, performers, screenwriters, and stuntmen who helped bring these zero-budget films to the screen against incredible odds. The interviews give insights into exploitation filmmaking from the perspectives of pioneering directors Al Adamson and Jack Hill, actors Jenifer Bishop and Robert Dix, and stuntmen Gary Kent and Gary Littlejohn, and others. The work includes more than 50 photographs, including many rare behind-the-scenes images of the filmmakers on set.
Spaghetti Westerns--the Good, the Bad and the Violent
Spaghetti Westerns--mostly produced in Italy or by Italians but made throughout Europe--were bleaker, rougher, grittier imitations of Hollywood Westerns, focusing on heroes only slightly less evil than the villains. After a main filmography covering 558 Spaghetti Westerns, another section provides filmographies of personnel--actors and actresses, directors, musical composers, scriptwriters, cinematographers. Appendices provide lists of the popular Django films and the Sartana films, a listing of U.S.-made Spaghetti Western lookalikes, top ten and twenty lists and a list of the genre's worst.
Monte Hellman
"I just did it, and I probably made more mistakes than the average person who makes a first film. I didn't really have any help, and I wouldn't take any help. I had to do it on my own. Once I made my first film I considered myself a film-maker. I lost all interest in the theater and never went back"--Monte Hellman In 1970, an LA Times headline described Monte Hellman as "Hollywood's best kept secret". More than thirty years later, Hellman and his work are still secrets, his genius recognized only by a small but passionate group of admirers. This book is both a biography of Hellman and a critical study of his films, which include The Shooting, Two-Lane Blacktop and Ride in the Whirlwind. It also covers films to which Hellman has contributed as an editor, actor and producer, as well as those on which he has worked, in various capacities, without onscreen credit, such as Shatter and Robocop. Attention is focused on the hallmarks of Hellman's work, including his dominant themes and obsessive characters, and all the films are subjected to close stylistic analysis.
Actors of the Spaghetti Westerns
Musical accompaniment were jazzed up renditions that basically fit the art form like a glove with a stylish beat that usually pounded out the action as the story unfolded. The music set the mood and the audiences followed. Most of these films would never reach America during the era, even though they were generally aimed at the American film goers. The Actors who went to Italy and got involved in these lucrative new genre spinoffs all enjoyed star status, recognition and glow of the limelight that came with it. These are the Actors were talking about here.
When Boat People were Resettled, 1975–1983
This book traces the reception and resettlement of Vietnamese, Cambodians and Laotians in France, Germany, the United Kingdom, the Netherlands and Israel during the 'boat people' crisis of 1975–79. These years saw hundreds of thousands of people displaced by the emergence of the Socialist Republic of Vietnam and political instability across south-east Asia. Using a comparative historical approach, the authors demonstrate the multiple ways in which refugees were contested, accepted, received and resettled across different national contexts. This episode is held up today as an example of European generosity. Yet this book illustrates how the reception of boat people in Western Europe and Isr...
