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Frankie and Johnny
Originating in a homicide in St. Louis in 1899, the ballad of "Frankie and Johnny" became one of America's most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown. In this innovative book, Stacy I. Morgan explores why African American folklore—a...
AccessAsia
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Introduction to Ke Huy Quan
Ke Huy Quan, also known as Jonathan Ke Quan, is a Vietnamese-American actor, stunt coordinator, and director. He was born on August 20, 1971, in Saigon, South Vietnam, but his family fled to the United States after the Fall of Saigon when he was only eight years old. Growing up, Quan was known for being a wunderkind child actor, famous for his roles in Hollywood blockbusters like The Goonies and Indiana Jones and the Temple of the Doom. Despite his initial success in the entertainment industry, Quan decided to step away from acting after struggling with Hollywood's expectations and bias towards Asian actors. Instead, he went to school for cinematography and later worked as a stunt coordinator for major films like X-Men and The One. In recent years, Quan has directed his focus towards producing and directing his own independent films, like the zombie comedy film Spaced Invaders. Overall, Ke Huy Quan has had a long and diverse career in the entertainment industry and continues to contribute to film and television through his work behind the camera.
Climatological Data
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Ninety Years at Torrens Park
Ninety Years at Torrens Park provides a comprehensive account of Scotch's journey from a boys' college of about 100 students to a coeducational institution of almost 1000. Heroic figures such as Norman Gratton, the first headmaster, to agents of radical change such as Philip Roff, the headmaster who introduced coeducation, emerge from the archives to stand beside the other headmasters, principals, teachers and students who populate the Scotch College story.
The Sussex Herd Book
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