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*Celebrates the coming together in early 2018 of two of Haarlem's premier galleries, the Frans Hals Museum and De Hallen Haarlem* Offers a unique glimpse into two rich and diverse collections of art from the personal perspective of the Museum's Director*Demonstrates the synergy between two collections that each reflect the radical changes in art expression of their timeThe Frans Hals Museum has attracted interest since it opened in 1913. Its collection of Haarlem Old Masters of the Golden Age, including the world's largest collection of paintings by Frans Hals, is unique. The collection reflects the radical changes that painting underwent in the early seventeenth century, with Haarlem provid...
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The Frans Hals Museum in Haarlem is housed in a picturesque building, originally constructed as an alms house old men. The museum is named after Frans Hals, who lived and worked in Haarlem and was one of the most famous and innovative painters of the Golden Age. His phenomenal style is superbly displayed in his masterly, vibrant portraits of civic guadsmen and regents. The museum has the largest collection of Frans Hals paintings in the world, alongside portraits, still lifes, genre scenes, landscapes and group portraits of civic guardsmen and regents by other celebrated Haarlem artists of the sixteenth and seventeenth centuries, among them Maerten van Heemskerck, Cornelis vna Haarlem, Hendrick Goltzius, Pieter Claesz, Jacob van Ruisdael, Judith Leyster and Pieter Saenredam. This book explores the masterpieces in the museum's collection.
This is a showcase of 11 major works by Frans Hals. The author also discusses the formation of Hals's style and considers his work in the context of broader European trends.
Gengivelser af malerier af den nederlandske maler Frans Hals (ca. 1580-1666)
Frans Hals helped to make the 17th century into what has been called Holland's Golden Age. During his long life and career, spent in the small towm of Haarlem, near Amsterdam he created the vivid characterizations of his contemporaries reproduced in this book - merchants, a tramp, burgomasters, urchins, regents, officers and sergeants of the local civic guard companies. Not only did he recieve high praise from writers of the time, but his lively brushwork won him the admiration of the Impressionists more than two centuries later. His ability to penetrate the outward appearance of his sitters and reveal their innermost personalities marks him as a masterly and profound portraitist. This volume aims to free him from his cramping image as a painter of lighthearted gaiety and places him instead among the greatest masters of colour and light. By juxtaposing Hals's work with that of his contemporaries and by describing the artistic climate in Haarlem at the time, the author reveals the artist's true originality.