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In Babel's Shadow
A comprehensive cultural history of the language sciences in nineteenth-century Germany. In contrast to fields like anthropology, the history of linguistics has received remarkably little attention outside of its own discipline despite the undeniable impact language study has had on the modern period. In Babel's Shadow situates German language scholarship in relation to European nationalism, nineteenth-century notions of race and ethnicity, the methodologies of humanistic inquiry, and debates over the interpretation of scripture. Author Tuska Benes investigates how the German nation came to be defined as a linguistic community and argues that the "linguistic turn" in today's social sciences ...
The Study of Language and the Politics of Community in Global Context
In an age of rising nationalism and expanding colonialism, the science of language has been intimately bound up with questions of immediate political concern. Taken together, the essays in this volume suggest that the emergence of language as an autonomous object of discourse was closely connected with the consolidation of new and sometimes competing forms of political community in the period following the French Revolution and the global spread of European power. This is the common thread running through the seven individual studies gathered here. By deliberately juxtaposing the European, academic configuration of modern linguistic research with the more practical, extra-European activities of missionaries, colonial officials, or East Asian literati, the authors explore the tensions between forms of linguistic knowledge generated in different geopolitical contexts, and suggest ways of thinking about the role of social science in the process of globalization.
A Greek-english Lexicon: Based On The German Work Of Francis Passow, Part 1
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Greek-English Lexicon
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Res
This double volume of the renowned international journal of anthropology and comparative aesthetics includes “Aesthetics’ non-recyclable ground” by Félix Duque; “Seeing through dead eyes” by Jonathan Hay; “The hidden aesthetic of red in the painted tombs of Oaxaca” by Diana Magaloni; “A consideration of the quatrefoil motif in Preclassic Mesoamerica” by Julia Guernsey; “Hunters, Sufis, soldiers, and minstrels” by Cynthia Becker; “Figures fidjiennes” by Marc Rochette; “A sacred landscape” by Rachel Kousser; “Military architecture as a political tool in the Renaissance” by Francesco Benelli; “The icon as performer and as performative utterance” by Marie Gasper-Hulvat; “Image and site” by Jas’ Elsner; “Untimely objects” by Ara H. Merjian; “Max Ernst in Arizona” by Samantha Kavky; “Form as revolt” by Sebastian Zeidler; “Embodiments and art beliefs” by Filippo Fimiani; “The theft of the goddess Amba Mata” by Deborah Stein; and contributions to “Lectures, Documents and Discussions” by Gottfried Semper, Spyros Papapetros, Erwin Panofsky, Megan R. Luke, Francesco Paolo Adorno, and Remo Guidieri.
Lexicography Then and Now
Professor Zgusta’s work in lexicography and linguistics proper is built upon a multilingual command of linguistic theory, literary history, the history of linguistics, and his experience as a ›practical‹ lexicographer. The topic under consideration may be the organization and development of a standard variety of a language; explorations of the consequences of linguistic theory on the practical lexicographic applications in making dictionaries that range from Ahtna to Zoque and Batad Ifuagao to Yolngu-Matha; the method of definition in bilingual dictionaries; the state of affairs in Russian lexicography; learner’s dictionaries; ancient Greek lexicography; pragmatics; scripts and morph...
Dictionaries: A Very Short Introduction
Do, or should, dictionaries control language? How do they treat language change, both now and in the past? Which words do dictionaries leave out - and on what grounds? Dictionaries are far more than works which list the words and meanings of a language. In this Very Short Introduction Lynda Mugglestone shows that all dictionaries are partial and all are selective. They are human products, reflecting the dominant social and cultural assumptions of the time in which they were written. Dictionaries exist then not only as works which seek to document language, but also as cultural documents that are connected to the world in which they were produced. Exploring common beliefs about dictionaries, ...
