Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
God's Silence
In this luminous new collection of poems, Franz Wright expands on the spiritual joy he found in his Pulitzer Prize-winning Walking to Martha’s Vineyard. Wright, whom we know as a poet of exquisite miniatures, opens God’s Silence with “East Boston, 1996,” a powerful long poem that looks back at the darker moments in the formation of his sensibility. He shares his private rules for bus riding (“No eye contact: the eyes of the terrified / terrify”), and recalls, among other experiences, his first encounter with a shotgun, as an eight-year-old boy (“In a clearing in the cornstalks . . . it was suggested / that I fire / on that muttering family of crows”). Throughout this volume, ...
F / Poemas
Un poemario sobre la conciencia de la propia muerte muy clarividente y libre de drama. Mientras consideraba su mortalidad, Franz Wright encontró una nueva euforia y claridad en la página, entregando para nuestro examen el "yo" defectuoso pero arrodillado en gratitud en el que se había convertido. Desde «Entries of the Cell», el largo poema central que detalla la soledad del alma soltera, hasta breves poemas narrativos en prosa y letras tradicionales, Wright se deleita en el poder compensatorio del lenguaje, observando los faros diurnos que siguen a un coche fúnebre, o el viento, «bendiciendo uno por uno los capullos sin luz del regreso inadvertido del melocotonero doblado hacia atrás».
Earlier Poems
The haunting collection of poems that gathers the first four books of Pulitzer winner Franz Wright under one cover, where “fans old and new will find a feast amid famine” (Publishers Weekly), and discover how large this poet’s gift was from the start.
Walking to Martha's Vineyard
A collection of poems reflecting the regard for life in every form and the belief in the promise of blessing and renewal, sharing through a series of prayer-like works observations of such topics as a suicidal animal, snowflakes, and love.
Wheeling Motel
In his tenth collection of poetry, Franz Wright gives us an exquisite book of reconciliation with the past and acceptance of what may come in the future. From his earliest years, he writes in “Will,” he had “the gift of impermanence / so I would be ready, / accompanied / by a rage to prove them wrong / . . . and that I too was worthy of love.” This rage comes coupled with the poet’s own brand of love, what he calls “one / strange alone / heart’s wish / to help all / hearts.” Poetry is indeed Wright’s help, and he delivers it to us with a wry sense of the daily in America: in his wonderfully local relationship to God (whom he encounters along with a catfish in the emerald shallows of Walden Pond); in the little West Virginia motel of the title poem, on the banks of the great Ohio River, where “Tammy Wynette’s on the marquee” and he is visited by the figure of Walt Whitman, “examining the tear on a dead face.” Here, in Wheeling Motel, Wright’s poetry continues to surprise us with its frank appraisal of our soul, and with his own combustible loneliness and unstoppable joy.
Kindertotenwald
A genre-bending collection of prose poems from Pulitzer Prize–winner Franz Wright brings us surreal tales of childhood, adolescence, and adult awareness, moving from the gorgeous to the shocking to a sense of peace. Wright’s most intimate thoughts and images appear before us in dramatic and spectral short narratives: mesmerizing poems whose colloquial sound and rhythms announce a new path for this luminous and masterful poet. In these journeys, we hear the constant murmured “yes” of creation—“it will be packing its small suitcase soon; it will leave the keys dangling from the lock and set out at last,” Wright tells us. He introduces us to the powerful presences in his world (th...
Ill Lit
Franz Wright was recognized as one of the leading poets of his generation even before he won the 2004 Pulitzer Prize. His voice and sensibility are distinctive, and the places he goes are ones where not many writers are able or willing to venture. The dark world of his poems, which face many of the hardest truths we must learn to live with, is lit by humor, tenderness, compassion, and honesty. For this edition, the poet has selected from the best of his previous collections, in some cases making substantial revisions, and has added his newest poems. The resulting collection is exciting in its breadth, consistency, depth, and distinction.
The Beforelife
In this stunning collection, Franz Wright chronicles the journey back from a place of isolation and wordlessness. After a period when it seemed certain he would never write poetry again, he speaks with bracing clarity about the twilit world that lies between madness and sanity, addiction and recovery. Wright negotiates the precarious transition from illness to health in a state of skeptical rapture, discovering along the way the exhilaration of love--both divine and human--and finding that even the most battered consciousness can be good company. Whether he is writing about his regret for the abortion of a child, describing the mechanics of slander ("I can just hear them on the telephone and...
Entries of the Cell
Poetry. ENTRIES OF THE CELL is some of Franz Wright's best writing in years. "The cell will teach you all things" is a saying of some early Christians who, in the third century, bewildered to find that no matter what they did and no matter how powerful their faith, the new world they dreamed of far too closely resembled the irreparably corrupt old world. Their remedy to this dilemma was to withdraw from the cities of their time into the desolate solitude in which they found God's presence perpetually closer and more available to them. The saying has been adopted by the Society of the Brotherhood of St. John the Evangelist where, at their Cambridge branch, T. S. Eliot attended services while teaching at Harvard in the thirties. Dedicated to Franz Wright's friend Palestinian poet Fady Joudah—good husband, dad, emergency room MD in Houston and American translator of Mahmoud Darwish—the book is a single poem. Its title is meant to suggest all kinds of cells—body, jail, but primarily the cell in the sense of the small functional bare room in which a monk prays, studies and sleeps.
Liberty's Quest
Liberty Kovacs' life story has all the elements of the American Dream, both its myth and its reality. Breaking free from the patriarchal rule of her Greek immigrant family, she set an uneasy but independent course that led to her becoming a nurse and marrying fellow Ohioan, the poet James Wright. Headed for the fabled Land of Happiness, Life broke in with all its unpredictable misery: living in Minneapolis with their two sons, the marriage was soon riven by alcoholism, angers, unspeakable trauma and eventually bitter divorce. Bereft but courageous, Liberty set a new course and headed west to San Francisco where she had a scholarship to study psychiatric nursing. A single mother, she experienced triumphs in her profession, married again and bore a third son - that household too fell victim to unhappiness and despairs. Yet with each blow, her spirit rose again and again, never giving up on herself or her sons, whom she writes about with disarming openness. -Merrill Leffler, publisher of Dryad Press, author of Partly Panemonium, Partly Love, Take Hold
