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Media technology plays a significant role in addressing the different sense modalities of the recipient or user. This role seems to deeply influence our concepts of time and space: The more a media technology is becoming a trigger for sensory and perceptual experiences, the bigger is the influence on temporality and spatiality. Image Temporality could be one part of the temporality discourse to connect the concepts of static and dynamic images with the approaches in modern media theory, philosophy of mind, perceptual theory, aesthetics, and film studies as well as the complex range of image science.This volume monitors and discusses the relation of time, space and visual media within the perspective of an autonomous image science.
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Propaganda played an essential role in influencing the attitudes and policies of German National Socialism on racial purity and euthanasia, but little has been said on the impact of medical hygiene films. Cinematically Transmitted Disease explores these films for the first time, from their inception during the Weimar era and throughout the years to come. In this innovative volume, author Barbara Hales demonstrates how medical films as well as feature films were circulated among the German people to embed and enforce notions of scientific legitimacy for racial superiority and genetically spread “incurable” diseases, creating and maintaining an instrumental fear of degradation in the German national population.
Das Ahnenbuch Forum Richard III (FR3) beinhaltet die Vorfahrenslinien Schöberl samt Platzer, Hauser und Reichhart, Scheibenhofer samt Kuck, Winter samt Klein, Stürmer samt Seemayer und Beiler, sowie der adligen Vorfahren der Grafen von Ugarte, derer von Verdenberg und von Bubna.
A partial reconstruction of Bremen passenger lists based on U.S. sources. Not all Bremen passengers are included; only those giving a specific place of origin in Germany. This is about 21%; those giving only "Germany" as place of origin was about 79%.
"I like these songs better than all the rest, and someday you will too," Franz Schubert told the friends who were the first to hear his song cycle Winterreise. These lieder have always found admiring audiences, but the poetry he chose to set them to has been widely regarded as weak and trivial. Susan Youens looks not only at Schubert's music but at the poetry, drawn from the works of Wilhelm Müller, who once wrote in his diary, "perhaps there is a kindred spirit somewhere who will hear the tunes behind the words and give them back to me!" Youens maintains that Müller, in depicting the wanderings of the alienated lover, produced poetry that was simple but not simple-minded, poetry that embraced simplicity as part of its meaning. In her view, Müller used the ruder folk forms to give his verse greater immediacy, to convey more powerfully the wanderer's complex inner state. Youens addresses many different aspects of Winterreise: the cultural milieu to which it belonged, the genesis of both the poetry and the music, Schubert's transformation of poetic cycle into music, the philosophical dimension of the work, and its musical structure.
Unveränderter Nachdruck der Originalausgabe von 1919.
Between 1914 and 1918, the Western Front passed through some of Europe's most populated and industrialised regions, such as the towns of Nancy, Reims, Arras, and Lens. This is the story of how war shaped the civilian identities of people who suffered intense artillery bombardment, military occupation, and forced displacement.
This volume interrogates the implications of the persistence of nationalisms and newer, ethnic-religious identities for the emergence of a robust European identity. The collected essays intersect and are informed by the streams of scholarship on: contemporary ethnonationalism; the challenges associated with immigrant, particularly Muslim immigrant, incorporation; and the so-called new nationalism, including the illiberal ideas and policies promoted by extreme right political parties and groups.