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Green Mountain, White Cloud
"It opens to a spring day, when a middle-aged doctor named Dao-sheng leaves the mountaintop Taoist monastery where he has been living and sets out for the Region of the South, to the city he had once visited thirty years earlier and where his life had been irrevocably changed. He had then been a strapping but poor young musician traveling with a theater troupe. One evening, during a performance, he caught the eye of a well-born young woman named Lan-ying. Their contact lasted but a minute, but to them it felt like an eternity. For this act of audacity he was banished to hard labor by the girl's jealous fiance, the dissipated scion of a powerful family, who had witnessed their exchange and grasped its significance. Across the decades of a life spent either on the run or hiding out in monasteries, where he mastered medicine and divination, Dao-sheng never forgot Lan-ying. One exchange of glances had sealed something forever, something whose enduring power would decide their fates."--BOOK JACKET.
Chinese Poetic Writing
Chinese Poetic Writing has been considered by many to be one of the most innovative studies of Chinese poetry. Cheng illustrates his text with an annotated anthology of 135 poems from the golden age of Tang Dynasty, featuring lively translations of the works of Tu Fu, Li Po, Wang Wei and other poets. The 1982 translation, based on the original French 1977 edition has been greatly expanded by Cheng with many new additions.
Five Meditations on Death
Philosophical discussions on the ways that death makes life meaningful and sacred • Reveals how being conscious of death gives our fate its full meaning, inviting the reader to contemplate life in the light of their own death • Examines the author’s experience of ancestor worship in his native China and the beliefs that underlie it • Explains how death is a transition in a longer living process not visible from the modern “black and white” view of life and death • Translated by award-winning translator Jody Gladding Born from intimate discussions with friends, these five meditations on death from poet-philosopher François Cheng examine the multiple ways the prospect of death s...
François Cheng
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Empty and Full
Chinese painting might be called "philosophy in action", for it is one of the highest expressions of Chinese spirituality. Both a medium for contemplation leading to self-transcendence and a microcosm embodying universal principles and primal forces, it is a means for making manifest the Chinese worldview. At the heart of this worldview is the notion of emptiness, the dynamic principle of transformation. Only through emptiness can things attain their full measure and human beings approach the universe at the level of totality. Focusing on the principle of emptiness, Francois Cheng uses semiotic analysis and textual explication to reveal the key themes and structures of Chinese aesthetics in the practice of pictorial art. Among the many Chinese writers, poets, and artists whose writings are quoted, he gives special emphasis to a great Ch'ing dynasty theoretician and painter, Shih-t'ao. Twenty-seven reproductions of the words of Shih-t'ao and other masters illustrate the interpretive commentary.
The Way of Beauty
Five meditations on the role of beauty in human life and its direct connection with the sacred • Looks at how beauty has the power to elevate and counterbalance the negative side of the reality facing us • Presents the role of beauty in transforming individuals and transforming the world from a Taoist perspective In a time of mindless violence and widespread ecological and natural catastrophes, François Cheng asks if talking about beauty may not seem incongruous even scandalous. Yet this is actually the most appropriate time to revisit a subject that was a philosophical mainstay for millennia. The power of beauty to elevate and transcend counterbalances the negative side of the reality ...
In Love with the Way
Verses from Chinese poetry's acclaimed golden age are elegant and precise examples of spiritual beauty and of the economy of language. Illustrations.
The River Below
Lyrical, image-driven and provocative, Cheng's novel is composed in the form of an artist's memoir, reording not just what is seen but the consciousness of seeing.--Starred Review, Publishers Weekly
