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The Other Side of Nowhere
Scholars, composers and performers write about the art of jazz improvisation.
The Cultural Politics of Jazz Collectives
The Cultural Politics of Jazz Collectives: This Is Our Music documents the emergence of collective movements in jazz and improvised music. Jazz history is most often portrayed as a site for individual expression and revolves around the celebration of iconic figures, while the networks and collaborations that enable the music to maintain and sustain its cultural status are surprisingly under-investigated. This collection explores the history of musician-led collectives and the ways in which they offer a powerful counter-model for rethinking jazz practices in the post-war period. It includes studies of groups including the New York Musicians Organization, Sweden’s Ett minne för livet, Wonderbrass from South Wales, the contemporary Dutch jazz-hip hop scene, and Austria‘s JazzWerkstatt. With an international list of contributors and examples from Europe and the United States, these twelve essays and case studies examine issues of shared aesthetic vision, socioeconomic and political factors, local education, and cultural values among improvising musicians.
Composing Dissent
The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians with a pronounced commitment to social and political engagement. This book presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change.
Creolization and Diaspora in the Portuguese Indies
This book provides an original study of the sizeable Portuguese community in Ayutthaya, the chief river-state in Siam, during a period of apparent decline (1640-1720). Portuguese populations were displaced from their chief settlements like Melaka and Makassar, and attracted to the river-states of mainland South-East Asia by a protective model of kingship, hopes of international trade and the opportunity to harvest souls. A variety of sources will be used to shed light on the fortunes and make-up of this displaced, mixed-race 'tribe', which was largely independent of the matrices of Portuguese colonial power, and fared poorly alongside other foreign communities in this remarkably open, dynamic environment. Circumstances changed for the better after the National Revolution of 1688, when Portuguese started to fill many of the jobs at court and in commerce previously occupied by Frenchmen and northern Europeans.
French Primitivism and the Ends of Empire, 1945-1975
For over a century, the idea of primitivism has motivated artistic modernism. Focusing on the three decades after World War II, known in France as “les trentes glorieuses” despite the loss of most of the country’s colonial empire, this probing and expansive book argues that primitivism played a key role in a French society marked by both economic growth and political turmoil. In a series of chapters that consider significant aspects of French culture—including the creation of new museums of French folklore and of African and Oceanic arts and the development of tourism against the backdrop of nuclear testing in French Polynesia—Daniel J. Sherman shows how primitivism, a collective fantasy born of the colonial encounter, proved adaptable to a postcolonial, inward-looking age of mass consumption. Following the likes of Claude Lévi-Strauss, Andrée Putman, and Jean Dubuffet through decorating magazines, museum galleries, and Tahiti’s pristine lagoons, this interdisciplinary study provides a new perspective on primitivism as a cultural phenomenon and offers fresh insights into the eccentric edges of contemporary French history.
Trade and Finance in Global Missions (16th-18th Centuries)
Trade and Finance in Global Missions (16th-18th Centuries) is a collection of twelve articles focusing on missionary economic practices, often perceived as an important tool in their spiritual and missionary endeavours, but also raising controversies in Europe and in the overseas missions. Missionaries, just like merchants and other investors, sought the most profitable ventures and tapped into transcontinental flow of capital during the first globalisation. All the chapters in this volume address the question of Catholic missionary economy in the early modern period by looking into concrete cases of the opening, financing, growth and preservation of Christian missions and related institutions such as churches, colleges and other permanent endowments in Asia, Europe and Latin America.
Histoire et Missions Chrétiennes N-024 : L'Ethiopie chrétienne. Histoire Liturgie Monachisme
I.Dossier, l’Ethiopie chretienne, histoire liturgie monachismeDossier dirigé par Daniel Assefa, avec les contributions de Lucien Heitz, Emmanuel Fritsch, Daniel Assefa, Marie-Laure Derat, Anne Damon-Guillot et Philippe Sidot. ippe Sidot.Le dossier de ce numéro s’intéresse à l’Éthiopie que l’on appelle volontiers « le berceau de l’humanité » mais qui est tout aussi bien le berceau du christianisme en Afrique noire. Depuis le ive siècle et à travers une histoire mouvementée, l’Éthiopie a maintenu une longue fidélité chrétienne qui a donné naissance à une culture imprégnée de foi, à nulle autre pareille. Depuis plus de seize siècles, la foi orthodoxe a fait naî...
Fire Music
The first bibliography devoted to a single jazz genre or era, Fire Music is concerned with the music of the jazz avant-gardists such as John Coltrane, Ornette Coleman, Cecil Taylor, and Sun Ra. It makes accessible the most extensive and up-to-date scholarship of the New Jazz beginning in the 1950s. Included are materials on such topics as jazz collectives and the New York loft scene, as well as jazz in specific countries and regions and a lengthy section of biographical and critical studies on more than 400 artists and ensembles from around the world. Organized by subject and artist, the over 7,100 sources are further divided by type of materials, including films, video, and audio cassettes ...
Les collections archéologiques dans les musées de France
Les 935 notices et index précisent d'une manière très détaillée le contenu, la localisation et les spécificités de chaque collection archéologique en France. «Copyright Electre»
