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Willa Cather's Canadian and Old World Connections
Cather Studies 4 contains eighteen essays and elaborates a theme, ?Willa Cather?s Canadian and Old World Connections.? Such connections are central to Cather?s art and artistry. She transported much from the Old World to the New, shaping her antecedents to tell, in new ways, the stories of Nebraska, of the American Southwest, and especially of Quebec, in Shadows on the Rock. ø David Stouck details Cather?s numerous Canadian connections, Richard Millington treats her ?anthropological? re-creation of the cultural moment of seventeenth-century Quebec, and Franöois Palleau-Papin finds ?The Hidden French in Cather?s English.? A volume of lively and informed criticism, Cather Studies 4 vividly demonstrates Cather?s artistry and her work?s deep connections to the present cultural and critical moment.
After Postmodernism
Several of American literature’s most prominent authors, and many of their most perceptive critics and reviewers, argue that fiction of the last quarter century has turned away from the tendencies of postmodernist writing. Yet, the nature of that turn, and the defining qualities of American fiction after postmodernism, remain less than clear. This volume identifies four prominent trends of the contemporary scene: the recovery of the real, a rethinking of historical engagement, a preoccupation with materiality, and a turn to the planetary. Readings of works by various leading figures, including Dave Eggers, Jonathan Franzen, A.M. Homes, Lance Olsen, Richard Powers, William T. Vollmann, and David Foster Wallace, support a variety of arguments about this recent revitalization of American literature. The chapters in this book were originally published as a special issue of the journal Textual Practice.
The Art of Discovery
This anthology brings together scholars from literature, the natural sciences, and the philosophy of science, to present new perspectives on the relations between literary and scientific communities. Drawing on literature spanning the 19th and 20th centuries, as well as Europe and the Americas, the authors explore how science has been portrayed from the perspective of literature at different times and in different places - as challenge or opportunity, promise or scandal. The disturbance of science emanates perhaps from its association with a frightening future or its ability to change the appearance of the past; the scandal occurs as it recalls us to thresholds and hybrids: human and non-human, animal and machine. Science, however, also emerges as a source of metaphor and imaginative modelling, of encodings and decodings, representations and discoveries. Less prominent in the collection, though no less important, is the view on how scientific cultures portray literature or the literary academic, and how science reflects on itself.
This is Not a Tragedy
"How much of myself is in there? It's all me. Especially in Reader's Block, all that personal stuff re: Reader and/or Protagonist, ex-wife, ex-galfriends, children, lack of money, isolation, messed-up life, and/or some items dictated by novelistic necessity---and of course there is necessary invention there also, e.g., a house at a cemetery---but even little items like a couple of yellow stones from Masada or a reproduction of Giotto's Dante---I plucked up whatever was ready at hand. Is that laziness, or is it what they speak of as using what one knows? Take your pick."---David Markson To Francoise Palleau-Papin --Book Jacket.
The Secret Country
The Secret Country is the first monograph on the work of the contemporary American novelist Jayne Anne Phillips. Through detailed and innovative textual analysis this study considers the southern aspects of Phillips' writing. Robertson demonstrates the importance of Phillips' place within the southern literary canon by identifying the echoes of William Faulkner, Katherine Anne Porter and Edgar Allan Poe that permeate her work. Phillips' complex attachments to a regional past are explored through both psychoanalytical and historical materialist approaches, revealing not only the writer's distinctly southern preoccupations, but also her reflections on contemporary American society. Tracing the family dynamics in Phillips' work from the turn of the twentieth century to the present, this book examines the effects of increased modernization and capitalization on everyday interactions, and questions the nature of the author's backward glance to the past. This volume is of interest for a wide audience, particularly students and scholars of contemporary southern and American literature.
The Detective and the Artist
This book focuses on the distinctive role that artists have played in detective fiction--as detectives, as villains and victims, and as bystanders. With a few significant exceptions, literary detectives have always identified themselves as essentially the deconstructors of the artful crimes of others. They may use various methods--ratiocinative, scientific, or hard-boiled--but they always unravel the threads that the villains have woven into deceptive covers for their crimes. The detective does, in the end, produce a work of art: a narrative that explains everything that needs explanation. But the detective's moral work is often juxtaposed to the aesthetic work of the painters, poets, and writers that the detective encounters during an investigation. The author surveys this juxtaposition in works by important authors from the early development of the genre (Poe, Conan Doyle), the golden age (Bentley, Christie, Sayers, James, et al.), and the hard-boiled era (Hammett, Chandler, Macdonald, Spicer et al.).
Loving God's Wildness
Analyzing writings ranging from the Puritans to the present day, Loving God's Wildness traces the effects of Christian theology on America's ecological imagination, revealing the often conflicted ways in which Americans relate to and perceive the natural world.
Steve Tomasula: The Art and Science of New Media Fiction
Steve Tomasula's work exists at the cutting edges of scientific knowledge and literary techniques. As such, it demands consideration from multiple perspectives and from critics who can guide the reader through the formal innovations and multimedia involutions while providing critical scientific, aesthetic, historical, and technical contexts. This book, the first of its kind, provides this framework, showing readers the richness and relevance of the worlds Tomasula constructs. Steve Tomasula's work is redefining the form of the novel, reinventing the practice of reading, and wrestling with the most urgent questions raised by massive transformations of media and biotechnologies. His work not only charts these changes, it formulates the problems that we have making meaning in our radically changing technological contexts. Vast in scope, inventive in form, and intimate in voice, his novels, short stories, and essays are read and taught by a surprisingly diverse array of scholars in fields ranging from contemporary experimental writing and literary criticism to the history of science, biotechnology and bioart, book studies, and digital humanities.
Theorization and Representations in Linguistics
This book addresses some issues of theorization in linguistics having to do with the systems of representation used in linguistics and the relation between linguistics and cognition. The essays gathered in the first part question the very concept of metalanguage, comparing the metalanguage used in formalised languages and that of natural languages, or examining Chomsky’s theory of mental representations in relation to semantic description and analysis. In the same line of thought, another contribution endeavours to show how the notational system of a linguistic theory is part and parcel of both conceptualisation and theorisation, in an analysis based on the early development of phonetics a...
