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François Hartog explores crucial moments of change in society's "regimes of historicity," or its ways of relating to the past, present, and future. Inspired by Hannah Arendt, Reinhart Koselleck, and Paul Ricoeur, Hartog analyzes a broad range of texts, positioning The Odyssey as a work on the threshold of historical consciousness and contrasting it with an investigation of the anthropologist Marshall Sahlins's concept of "heroic history." He tracks changing perspectives on time in Chateaubriand's Historical Essay and Travels in America and sets them alongside other writings from the French Revolution. He revisits the insights of the French Annales School and situates Pierre Nora's Realms of...
As omnipresent as it is ungraspable, time has always inspired and eluded attempts to comprehend it. For the early Christians, for the twenty-first-century world, how have past and future been woven into the present? In Chronos, a leading French historian ranges from Western antiquity to the Anthropocene, pinpointing the crucial turning points in our relationship to time. François Hartog considers the genealogy of Western temporalities, examining the orders of time and their divisions into epochs. Beginning with how the ancient Greeks understood time, Chronos explores the fashioning of a Christian time in the early centuries of the Catholic Church. Christianity’s hegemony over time reigned...
"The best book to come out on Herodotus in years."--G. E. R. Lloyd, King's College Cambridge
This valuable reference is an authoritative guide to 20th century French thought. It considers the intellectual figures, movements and publications that helped define fields as diverse as history, psychoanalysis, film, philosophy, and economics.
Karin Tilmans is an historian, and academic coordinator of the Max Weber Programme at the European University Institute, Florence. Frank van Vree is an historian and professor of journalism at the University of Amsterdam. Jay M. Winter is the Charles J. Stille Professor of History at Yale. --
This edited volume offers an original exploration into the ways in which Soviet culture and experience of time were unique, examining the temporalities expressed in the world of socialist things: from the objects of everyday life to urban architecture. Grounding the analysis of Soviet temporalities in their material incarnations not only lends concreteness to discussions of temporal culture, but also draws out ways in which the specificities of Soviet things—and their planning, design, manufacture, and consumption—mediated and produced particular ways of experiencing, perceiving, and representing time. As such, Time and Material Culture turns a new page in the study of the temporal and material culture of Soviet socialism and, in doing so, contributes to broader debates on the changing experiences of time in the global twentieth century. The book integrates interdisciplinary perspectives as well as regional approaches sensitive to the multinational nature of the Soviet project. Time and Material Culture will be useful to academics, upper-level undergraduates, and graduate students interested in twentieth-century cultures of time.
For the Greeks, the sharing of cooked meats was the fundamental communal act, so that to become vegetarian was a way of refusing society. It follows that the roasting or cooking of meat was a political act, as the division of portions asserted a social order. And the only proper manner of preparing meat for consumption, according to the Greeks, was blood sacrifice. The fundamental myth is that of Prometheus, who introduced sacrifice and, in the process, both joined us to and separated us from the gods—and ambiguous relation that recurs in marriage and in the growing of grain. Thus we can understand why the ascetic man refuses both women and meat, and why Greek women celebrated the festival...
Featuring diverse disciplines and including creative as well as critical work, The Ends of Theory both exemplifies the impact of critical theory and questions its future. The sixteen essays in this anthology reflect on the nature and purpose of theoretical work in the humanities and succeed in bridging critical and creative production. Contributors include Arthur Danto, Paul A. Bové, Bob Perelman, and Steve McCaffery.
This book examines the conceptual and temporal frames through which modern Western historiography has linked itself to classical antiquity. In doing so, it articulates a genealogical problematic of what history is and a more strictly focused reappraisal of Greek and Roman historical thought. Ancient ideas of history have played a key role in modern debates about history writing, from Kant through Hegel to Nietzsche and Heidegger, and from Friedrich Creuzer through George Grote and Theodor Mommsen to Momigliano and Moses Finley; yet scholarship has paid little attention to the theoretical implications of the reception of these ideas. The essays in this collection cover a wide range of relevant topics and approaches and boast distinguished authors from across Europe in the fields of classics, ancient and modern history and the theory of historiography.