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On December 12, 1794, Fray Servando Teresa de Mier preached a sermon in Mexico City that led to his arrest by the Inquisition. He was exiled to Spain--only to escape and spend ten years traveling throughout Europe, as none other than a French priest. So began the grand adventure of Fray Servando's life, and of this gripping memoir. Here is an invitation hard for any reader to resist: a glimpse of the European "Age of Enlightenment" through the eyes of a fugitive Mexican friar. In this memoir, one sees a portrait of manners and morals that is a far cry from the "civilized" spirit that the Empire wanted to impose on its Colonies. This book takes a look at history from an upside down perspectiv...
Fray Servando Teresa de Mier (1763-1827) was a 31-year old ordained priest of the Catholic Dominican Order with a Doctorate of Theology when he was invited by the Mexico City Council to offer a sermon December 12, 1794, at the Collegiate Church of Guadalupe, to honor the Virgin of Guadalupe tradition. Fray Servando Teresa de Mier: Writings on Ancient Christianity and Spain's Evangelism of Mexico translates Fray Mier's Spanish writings published in 1876 by Mexico's State of Nuevo Leon and the Autonomous University of Nuevo Leon. The primary text is Fray Mier's "Apologia," his defense of his Guadalupe Sermon with speeches to Mexico's First Constituent Congress. Dr. Mier states in his "Apologia...
Fray Servando - priest, blasphemer, dueler of monsters, irresistible lover, misunderstood prophet, prisoner, and consummate escape artist - wanders among the vice-ridden populations of eighteenth-century Europe and the Americas, fleeing dungeons, a marriage-minded woman, a slave ship captain, and the Inquisition. Whether by burro, by boat, or by the back of a whale, Fray Servando's journey is at once funny and romantic, melancholy and profound - a tale rooted in history, yet outrageously hallucinatory.
If history is written by the victors, then as the rulers of a nation change, so too does the history. Mexico has had many distinct periods of history, demonstrating clearly that the tale changes with the writer. In National Narratives in Mexico, Enrique Florescano examines each historical vision of Mexico as it was interpreted in its own time, revealing the influences of national or ethnic identity, culture, and evolving concepts of history and national memory. Florescano shows how the image of Mexico today is deeply rooted in ideas of past Mexicos—ancient Mexico, colonial Mexico, revolutionary Mexico—and how these ideas can be more fully understood by examining Mexico’s past historians. An awareness of the historian’s cultural perspective helps us to understand which types of evidence would be considered valid in constructing a national narrative. These considerations are important in modern Mexican historiography, as historians begin to question the validity of Mexico’s “collective memory.” Enhanced by more than two hundred drawings, photographs, and maps, National Narratives in Mexico offers a new vision of Mexico’s turbulent history.
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"Concieved to protest the cut-throat dictatorship of Juan Manuel de Rosas during the tumultuous years of post-independence Argentina and to provide a picture of the political events during his regime. Recounts the story of Eduardo and Amalia, who fall in love while Eduardo convalesces from a death-squad attack in Amalia's home."--Jacket.