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Fathers and Sons in Shakespeare
Some of Shakespeare's most memorable male characters, such as Hamlet, Prince Hal, and Edgar, are defined by their relationships with their fathers. In Fathers and Sons in Shakespeare, Fred B. Tromly demonstrates that these relationships are far more complicated than most critics have assumed. While Shakespearean sons often act as their fathers' steadfast defenders, they simultaneously resist paternal encroachment on their autonomy, tempering vigorous loyalty with subtle hostility. Tromly's introductory chapters draw on both Freudian psychology and Elizabethan family history to frame the issue of filial ambivalence in Shakespeare. The following analytical chapters mine the father-son relationships in plays that span Shakespeare's entire career. The conclusion explores Shakespeare's relationship with his own father and its effect on his fictional depictions of life as a son. Through careful scrutiny of word and deed, the scholarship in Fathers and Sons in Shakespeare reveals the complex attitude Shakespeare's sons harbour towards their fathers.
The Two Walter Raleighs
Sir Walter Raleigh's biographers have given little attention to his tragic relationship with his son Wat (Walter). They began in proud identification, each seeing himself in the other. But after the father's political downfall and imprisonment for treason, he lost his authority in the family, and the son began to reject paternal advice and his studies and to engage in violent quarrels and duels. Often the father used his influence to rescue his son from his rash acts. Things came to a head after Wat was sued by a young woman for violent assault, and imprisoned. The aged Raleigh had been freed from the Tower to lead an expedition to Guiana, and--as recently discovered documents reveal--he delivered his son from the law by commissioning him as a captain on his flagship, ominously named the Destiny. In a shared tragedy, Wat was killed in a skirmish, and the grieving Raleigh returned to England, broken in spirit and ready for the execution that awaited him.
Staging Female Characters in Shakespeare's English History Plays
Hailey Bachrach reveals how Shakespeare used female characters in deliberate and consistent ways across his history plays. Illuminating these patterns, she helps us understand these characters not as incidental or marginal presences, but as a key lens through which to understand Shakespeare's process for transforming history into drama. Shakespeare uses female characters to draw deliberate attention to the blurry line between history and fiction onstage, bringing to life the constrained but complex position of women not only in the past itself, but as characters in depictions of said past. In Shakespeare's historical landscape, female characters represent the impossibility of fully recovering voices the record has excluded, and the empowering potential of standing outside history that Shakespeare can only envision by drawing upon the theatre's material conditions. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Shakespeare and the Natural World
This book explores the rich range of meanings that Shakespeare finds in the natural world, enabling new readings of his works.
Problem Fathers in Shakespeare and Renaissance Drama
This book explores the central role of fathers in the plays of Shakespeare and a wide range of Elizabethan and Jacobean drama.
Hamlet, Protestantism, and the Mourning of Contingency
Building on current scholarly interest in the religious dimensions of the play, this study shows how Shakespeare uses Hamlet to comment on the Calvinistic Protestantism predominant around 1600. By considering the play's inner workings against the religious ideas of its time, John Curran explores how Shakespeare portrays in this work a completely deterministic universe in the Calvinist mode, and, Curran argues, exposes the disturbing aspects of Calvinism. By rendering a Catholic Prince Hamlet caught in a Protestant world which consistently denies him his aspirations for a noble life, Shakespeare is able in this play, his most theologically engaged, to delineate the differences between the two belief systems, but also to demonstrate the consequences of replacing the old religion so completely with the new.
Christopher Marlowe and the Failure to Unify
In this sustained full length study of Marlowe's plays, Andrew Duxfield argues that Marlovian drama exhibits a marked interest in unity and unification, and that in doing so it engages with a discourse of anxiety over social discord that was prominent in the 1580s and 1590s. In combination with the ambiguity of the plays, he suggests, this focus produces a tension that both heightens dramatic effect and facilitates a cynical response to contemporary evocations of and pleas for unity. This book has three main aims. Firstly, it establishes that Marlowe’s tragedies exhibit a profound interest in the process of reduction and the ideal of unity. Duxfield shows this interest to manifest itself i...
Marlowe's Empery
However, although employing a critical methodology that has become increasingly popular during the past decade, the essays in this section also seek to discover new relationships between Marlowe's plays and their social environment."--BOOK JACKET.
Compassion in Early Modern Literature and Culture
Explores how early modern Europeans responded to suffering and asks how they both described and practised compassion.
Christopher Marlowe at 450
There has never been a retrospective on Christopher Marlowe as comprehensive, complete and up-to-date in appraising the Marlovian landscape. Each chapter has been written by an eminent, international Marlovian scholar to determine what has been covered, what has not, and what scholarship and criticism will or might focus on next. The volume considers all of Marlowe’s dramas and his poetry, including his translations, as well as the following special topics: Critical Approaches to Marlowe; Marlowe’s Works in Performance; Marlowe and Theatre History; Electronic Resources for Marlovian Research; and Marlowe’s Biography. Included in the discussions are the native, continental, and classica...
