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This book looks at ways in which teachers can build upon children's reading, writing, listening and speaking skills from around starting points in Shakespeare's poems and plays.
Being born; falling in love (though not, please not, with Jenny); dancing the locomotion; fighting on the playground; being a little frightened: all human life, as they used to say, is here. The book also contains an attempt on a world record - for the shortest poem ever written.
Plenty of people want to write poetry - yet while it is not necessarily difficult to write poetry badly, it is harder to write it well. In this guide Fred Sedgwick explains - with numerous examples from successful poets - how the creative process works, from the initial impulse to write all the way through to the crafted and expressive poetry at the end.
Originally published in 1993, this book addresses the issue of the place of the expressive arts in primary schools in the years around and beyond the implementation of the National Curriculum. It comprises a set of case studies on the language arts, painting and drawing, dance, drama and music, that suggest ways forward in teaching these arts to children aged between four and eleven.
Too often the teaching of poetry is divided into the reading of poetry and the writing of poetry. This division is strange and illogical because the two activities are not only linked, but intermeshed. This book will be an attempt to show how indispensable reading poetry is to writing it and vice versa. The text will be divided into three sections. The first section will be comprised of advice from his own experience on reading poetry to children at KS1 and KS2. The second section will comprise of case studies of children responding to poetry and will show how much children can actually understand. The last section will be comprised of a case study af children writing poems.
In Learning Outside the Primary Classroom, the educationalist and writer Fred Sedgwick explores in a practical way the many opportunities for intense learning that children and teachers can find outside the confines of the usual learning environment, the classroom.
An invaluable guide to the fascinating origins of everyday words crafted into pithy annecdotes and facts.
Do you find that your students respond to poetry with a dismissive groan? Do you find that they lack confidence in their ability to write good poetry? Here, Fred Sedgwick shows how important the relationship between reading & writing poetry can be & how this can open the creative minds of young people. Contents: (1) Children Beginning to Understand Poetry: nursery rhymes; playground rhymes; reading poetry to children; & the poems we chose; (2) Children & Teachers Responding to Poetry: case studies of children responding to poems; adults responding to a poem; & children reading poems closely; & (3) Children Writing Poetry. Sedgwick is a poet & the author of numerous books in the areas of lit., expressive arts, education & creativity.
Plenty of people want to write poetry - yet while it is not necessarily difficult to write poetry badly, it is harder to write it well. In this guide Fred Sedgwick explains - with numerous examples from successful poets - how the creative process works, from the initial impulse to write all the way through to the crafted and expressive poetry at the end.
At the heart of this book is an emphasis on helping children to learn about themselves, their world and their relationships, through drawing. It also shows how teachers can use drawing as an in road into art, language, literacy, and other aspects of the curriculum; how children can improve their writing through drawing, concentrating on draftsmanship, the lines of letters, words and sentences; and how children can improve the quality of their drawing; with four basic rules that have been proven to raise standards throughout school. Based on case studies of children from six to eleven years of age, this passionately written book draws inspiration from Leonardo da Vinci's sketchbooks and from Nigerian art to show how children can learn more effectively through the medium of drawing.