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Defining America in the Radical 1760s
The 1760s were a period of great agitation in the American colonies. The policies implemented by the British resulted in an outcry from the Americans that inaugurated the radical ideas leading to the Revolution in 1775. John Dickinson led the way in the "war of ink" between America and Britain, which saw over 1,000 pamphlets and essays written both for and against British policy. King George III, the new British monarch, wrote extensively on the role of Britain in the colonial world and sought to find a middle way between the quickly rising feelings on both sides of the debate. This book tells the story of this radical decade as it occurred in writing, drawing from primary sources and rarely seen exchanges.
Tradition and Diversity
This text is designed to serve as a primary source reader. It addresses medieval Christendom in the context of world history. It combines the traditional approach (the medieval Christian tradition found in the church hierarchy and theological development) with the newer approach to cultural diversity - diversity within European Christianity (women mystics, heretics, and popular religion), and diversity without, in a world context (non-European Christianity and relations with Islam, Judaism, and Buddhism).
The Other Irish
What do Mark Twain, Neil Armstrong, and John McCain have in common? Theyre all descendants of a merry group of Scots-Irish braggarts that crossed the Atlantic from Ireland in the early 1700s and settled in Americas South. Also known as the "Other Irish," this wild bunch of patriotic, rebellious, fervently religious rascals gave us the NRA, at least fourteen presidents, decisive victories in the Revolutionary War, a third of todays US Military, country music, Star Wars, the Munchkins, American-style Democracy, and even the religious right . . . not to mention NASCAR, whose roots go back to Prohibition-era moonshine runners. Yet few Americans are familiar with the Other Irish or their contributions to American culture. Now author and documentary filmmaker Karen McCarthy shines a probing light on this fascinating topic, illuminating the extent to which the Scots-Irish helped weave the fabric of our nation.
Delegation in Contemporary Democracies
Written by leading specialists from Europe and the US, this unique text presents a unified view of political delegation, bringing together a wide range of literature to provide a complete and synthetic analysis of delegation in political systems.
Democratic Beginnings
State constitutions are blueprints for government institutions, declarations of collective identity, statements of principle, values, and goals. It naturally follows, and this book demonstrates, that the founding documents and the conventions that produced them reflect the emerging dynamics of American democracy in the nineteenth century. Nowhere is this more clear, Amy Bridges tells us in Democratic Beginnings, than in the American West. A close study of the constitutional conventions that founded eleven Western states, and of the constitutions they wrote, Democratic Beginnings traces the arc of Western development. Spanning the sixty years from California's constitution of 1850 to those of...
Delegation and Accountability in Parliamentary Democracies
Comparative Politics is a series for students and teachers of political science that deals with contemporary issues in comparative government and politics. The General Editors are Max Kaase, Professor of Political Science, Vice President and Dean, School of Humanities and Social Science, International University Bremen, Germany; and Kenneth Newton, Professor of Comparative Politics, University of Southampton. The series is published in association with the European Consortium for Political Research. Today, parliamentarism is the most common form of democratic government. Yet knowledge of this regime type has been incomplete and often unsystematic. Delegation and Accountability in Parliamenta...
Fascism in Action
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The Steerage and Alfred Stieglitz
When, in 1907, Alfred Stieglitz took a simple picture of passengers on a ship bound for Europe, he could not have known that The Steerage, as it was soon called, would become a modernist icon and, from today’s vantage, arguably the most famous photograph made by an American photographer. In complementary essays, a photo historian and a photographer reassess this important picture, rediscovering the complex social and aesthetic ideas that informed it and explaining how over the years it has achieved its status as a masterpiece. What aspects of Stieglitz’s ideas and sometimes-murky ambitions help us understand the picture’s achievements? How should we assess the photograph in relation to Stieglitz’s many writings about it? The authors of this book explore what The Steerage might mean in at least two senses—by itself, as a grand and self-sufficient work, and also ineluctably bound up with the many stories told about it. They make the photograph, today, what Stieglitz himself made it over the years—a photo-text work.
