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This invaluable work has proven itself to be a trustworthy guide for writers, students and literary critics. The author, F.M. Salter (1895-1962), produced a number of scholarly works in his special fields of Elizabethan and Medieval Literature, but he was above all, a teacher. The Art of Writing is a product of Professor Salter's many years of experience, and of his determination that no aspiring writer should fail for lack of encouragement and good, sound advice. Chapters include: The Craft of Writing, including language, diction, style and emphasis; The Virtues of Writing, including brevity, simplicity, variety and significant detail; The Graces of Writing, including sense, appeal, irony, imagery and rhythem, and The Art of Writing, including enthusiasm, restraint and sincerity.
The Chester Cycle in Context, 1555-1575 considers the implications of recent archival research which has profoundly changed our view of the continuation of performances of Chester's civic biblical play cycle into the reign of Elizabeth I. Scholars now view the decline and ultimate abandonment of civic religious drama as the result of a complex network of local pressures, heavily dependent upon individual civic and ecclesiastical authorities, rather than a result of a nation-wide policy of suppression, as had previously been assumed.
Making use of the methodology developed in his Origins of Arthurian Romances (McFarland, 2012), the author explores the question of King Arthur's existence in several original approaches to the subject. Examining the extant literature and other evidence, the author searches for the truth of the who when and where of King Arthur. These explorations are grouped into historicity, geography and the years in which he flourished. The conclusion is that Arthur was indeed an historical entity and the author places him in a specific area and narrows the time frame of his period of activity.
During the sixteenth and seventeenth centuries, in the midst of an international florescence of drama, the English and Spanish theaters displayed striking and unique similarities. Although these two national theaters developed in relative isolation from each other, in both countries the plays synthesized native popular traditions and neoclassical learned conventions, a synthesis found neither in the more elite Italian and French drama of the time nor in any other European drama before or since. In Drama of a Nation, Walter Cohen illuminates the causes of this significant parallel development. Working from a Marxist perspective, Cohen seeks to establish correlations among individual plays, dr...
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In Virgin Whore, Emma Maggie Solberg uncovers a surprisingly prevalent theme in late English medieval literature and culture: the celebration of the Virgin Mary’s sexuality. Although history is narrated as a progressive loss of innocence, the Madonna has grown purer with each passing century. Looking to a period before the idea of her purity and virginity had ossified, Solberg uncovers depictions and interpretations of Mary, discernible in jokes and insults, icons and rituals, prayers and revelations, allegories and typologies—and in late medieval vernacular biblical drama. More unmistakable than any cultural artifact from late medieval England, these biblical plays do not exclusively in...
One man’s journey to uncover the final resting place of the historical King Arthur • Pinpoints the exact locations of Arthur’s tomb, the ruins of Camelot, and the sword Excalibur using literary research and the latest geophysics equipment • Examines previously unknown ancient manuscripts preserved in the vaults of the British Library--including one written within the living memory of Arthur’s time • Reveals the mythic king as the real-life leader Owain Ddantgwyn, who united the British to repel invasion from Germany around 500 AD One of the most enigmatic figures in world history, King Arthur has been the subject of many fantastical tales over the past 1500 years, leading many sc...