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Shaw
SHAW 18 offers fourteen articles that illuminate aspects of Shaw's family history, relations with contemporaries, evolving reputation, and dramatic works. Dan H. Laurence presents an authoritative genealogy of the Shaw and Gurly sides of Shaw's family. Among discoveries that have long eluded Shaw's biographers is the birthdate of Elinor Agnes "Yuppy" Shaw, Shaw's sister. Michael W. Pharand assesses Shaw's intense dislike of Sarah Bernhardt. Stanley Weintraub analyzes Shaw's presence in the plays of Eugene O'Neill. Shaw's Advice to Irishmen, a newspaper account of Shaw's 1918 Dublin lecture "Literature in Ireland," records Shaw's comments on George Moore, J. M. Synge, and James Joyce. Robert ...
Shaw and History
This special issue of Shaw offers ten articles that focus on the theme of "Shaw and History." That focus illuminates Shaw's concept of history as art and its uses for dramatic purposes. It is a focus that is broadly applied to the historical perspective. Views range from Shaw's uses of historical sources in the Shavianizing of history, his uses of historical, geographical, and political places and events in his work, to views that place selected Shavian works within a historical context. Stanley Weintraub discusses Shaw's references to Cetewayo, Zulu chieftain, in Cashel Byron's Profession as the first incorporation of a contemporary historical figure into his work. John Allett explores the ...
Literary Symbiosis
"It is only the unimaginative who ever invents," Oscar Wilde once remarked. "The true artist is known by the use he makes of what he annexes, and he annexes everything." Converying a similar awareness, James Joyce observes in Finnegan's Wake that storytelling is in reality "stolen-telling," that art always involves some sort of "theft" or borrowing. Usually literary borrowings are so integrated into the new work as to be disguised; however, according to David Cowart, recent decades have seen an increasing number of texts that attach themselves to their sources in seemingly parasitic—but, more accurately, symbiotic—dependence. It is this kind of mutuality that Cowart examines in his wide-...
1992, Shaw and the Last Hundred Years
In 1892 the first production of Bernard Shaw's first play, Widowers' Houses, heralded the birth of modern drama in the English language. One hundred years later a group of Shavians gathered to examine the significance and influence of Shaw's drama in the English-speaking world. The conference, sponsored by Virginia Polytechnic Institute and State University, brought together theater scholars, critics, and artists from Canada, England, Ireland, and the United States. The conference also featured productions of The Shewing-up of Blanco Posnet, The Man of Destiny, and Farfetched Tales, each followed by a symposium. The centennial conference not only marked the importance of the event but also s...
Catalog of Copyright Entries. Third Series
Includes Part 1, Number 1 & 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - December)
The Achievement of Robert Penn Warren
Crisscrossing the sprawling landscape of Robert Penn Warren, James H. Justus offers us the first comprehensive survey of Warren’s complete canon, including the poetry of 1980. The temptation for everyone who has written on Warren, our most distinguished man of letters still active in American literature, asserts Justus, “is to analyze those themes and moral situations that, because they recur so frequently and obsessively, constitute the massive centrality of an entire corpus.” Justus attempts “to emphasize the ways by which we become aware of such themes and situations, the technical accomplishment of their rendering, which alone justifies our thinking of Warren as a literary artist...
Virginia Woolf
The renaissance of Virginia Woolf reflects a reassessment not only of Woolf as a writer but also of our social and political life as a whole. It points up differences between English and American readers, between older and younger critics, between men and women. Particularly striking in the revaluation is a tendency to approach Woolf as a soliloquist, a person, rather than as a detached and formal artist. In this collection, Ralph Freedman has brought together some of Woolf's most interesting commentators, whose varied concerns, traditional and modern, demonstrate the vitality and scope of Woolf criticism. Virginia Woolf: Revaluation and Continuity contains essays by Ralph Freedman, Harvena ...
The Cave and the Mountain
A personal and literary biography of Forster, the author who searched for ways to join poetry and the matter-of-fact.
Parody
Parody is a most iridescent phenomenon: of ancient Greek origin, parody's very malleability has allowed it to survive and to conquer Western cultures. Changing discourse on parody, its complex relationship with related humorous forms (e.g. travesty, burlesque, satire), its ability to cross genre boundaries, the many parodies handed down by tradition, and its ubiquity in contemporary culture all testify to its multifaceted nature. No wonder that 'parody' has become a phrase without clear meaning. The essays in this collection reflect the multidimensionality of recent parody studies. They pay tribute to its long and varied tradition, covering examples of parodic practice from the Middle Ages t...
