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The Boxing Filmography
The love affair between boxing and Hollywood began with the dawn of film. As early as the days of Chaplin, the "boxing film" had assumed its place as a subgenre, and over the decades it has taken the forms of biographies, dramas, romances, comedies, and even musicals and westerns. Such well known pictures as The Champ, Body and Soul, Don King: Only in America, Girl Fight, The Irish in Us, The Kid from Brooklyn, Somebody Up There Likes Me, Raging Bull, each of the Rocky movies and When We Were Kings are just a few examples of the feature films included in this filmography. Thoroughly researched, this work examines 98 boxing films from the 1920s through 2003. Each entry provides basic filmographic data (the film's studio, its genre, its length, cast and credits); a detailed synopsis of the film; illuminating commentary on the boxing sequences; and excerpts from contemporary reviews. Most entries also summarize the making of the film, with particular attention to the training of the actors for the boxing scenes. The filmography also includes information on studio publicity releases and advertisements, press books and exhibitor campaign materials for each film.
The Golden Age of Boxing on Radio and Television
Radio and television broadcasting were as important to the growth and popularity of boxing as it was to the reshaping of our very culture. In The Golden Age of Boxing on Radio and Television, Frederick V. Romano explores the many roles that each medium played in both the development and the depiction of the sport. Principal among the topics covered are the ever-changing role of technology during the four-decade-plus period, how it impacted the manner in which the sport was presented to its public audience, the exponential growth of those audiences, and the influence radio and television had on the financial aspects of the sport, including the selective use of radio and television and the fin...
Fight Sports and the Church
Fighting sports may seem at odds with Christian tradition, yet modern ministries have embraced them as a means for evangelism and social outreach. While news media often sensationalize fighting sports, churches see them as a way to appeal to male congregants, presenting a peace-loving yet tough model of discipleship. From martial arts programs at suburban churches to urban boxing ministries geared towards at-risk youth, this book examines the substantial history of church sponsored training in combat sports, and presents arguments by Christian ethicists about their compatibility with church teachings and settings. Interviews with boxing and martial arts ministry leaders describe their programs and the relationship between fight sports and faith.
A History of Evil in Popular Culture
Evil isn't simply an abstract theological or philosophical talking point. In our society, the idea of evil feeds entertainment, manifests in all sorts of media, and is a root concept in our collective psyche. This accessible and appealing book examines what evil means to us. Evil has been with us since the Garden of Eden, when Eve unleashed evil by biting the apple. Outside of theology, evil remains a highly relevant concept in contemporary times: evil villains in films and literature make these stories entertaining; our criminal justice system decides the fate of convicted criminals based on the determination of their status as "evil" or "insane." This book examines the many manifestations ...
Joe Louis
A “humbling, inspiring . . . deeply emotional” biography of the boxing legend who held the heavyweight world championship for more than eleven years (Kirkus Reviews, starred review). Known as the Brown Bomber, Joe Louis defended his heavyweight title an astonishing twenty-five times. Through the 1930s, he got more column inches of newspaper coverage than President Roosevelt. At a time when the boxing ring was the only venue where black and white could meet on equal terms, Louis embodied Black America’s hope for dignity and equality. And in 1938, his politically charged defeat of German boxer Max Schmeling made Louis a national hero on the world stage. Through meticulous research and fi...
Protect Yourself at All Times
“Hauser is a treasure. Whatever he writes is worth reading. Boxing is blessed that he has focused so much of his career on the sweet science.” —Booklist Each year, readers, writers, and critics alike anticipate Thomas Hauser’s newest collection of articles about the contemporary boxing scene, where his award-winning investigative journalism is on display. The annual retrospective of the previous year in boxing is always a notable moment in the sport that no one knows better than Hauser. Protect Yourself at All Times offers a behind-the-scenes look at Floyd Mayweather vs. Conor McGregor, dressing room reports from big fights like Canelo Alvarez vs. Gennady Golovkin, and compelling portraits of luminaries like Muhammad Ali, Joe Louis, Mike Tyson, and Don King, all filtered through the perspective of a true champion of boxing.
The Boxing Film
As one of popular culture’s most popular arenas, sports are often the subject of cinematic storytelling. But boxing films are special. There are more movies about boxing, by a healthy margin, than any other sport, and boxing accompanied and aided the medium’s late nineteenth-century emergence as a popular mass entertainment. Many of cinema’s most celebrated directors—from Oscar Micheaux to Martin Scorsese—made boxing films. And while the production of other types of sports movies generally corresponds with the current popularity of their subject, boxing films continue to be made regularly even after the sport has wilted from its once-prominent position in the sports hierarchy of the United States. From Edison’s Leonard-Cushing Fight to The Joe Louis Story, Rocky, and beyond, this book explores why boxing has so consistently fascinated cinema and popular media culture by tracing how boxing movies inform the sport’s meanings and uses from the late nineteenth century to the early twenty-first century.
