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Why did election monitoring become an international norm? Why do pseudo-democrats—undemocratic leaders who present themselves as democratic—invite international observers, even when they are likely to be caught manipulating elections? Is election observation an effective tool of democracy promotion, or is it simply a way to legitimize electoral autocracies? In The Pseudo-Democrat’s Dilemma, Susan D. Hyde explains international election monitoring with a new theory of international norm formation. Hyde argues that election observation was initiated by states seeking international support. International benefits tied to democracy give some governments an incentive to signal their commitm...
This student-friendly text introduces students to the history and scope of literary theory, as well as showing them how to perform literary analysis. Designed to be used alongside primary theoretical texts as an introduction to theory or alongside literary texts as a model for performing literary analysis. Presents a series of exemplary readings of particular literary texts such as Jane Eyre, Heart of Darkness, Ulysses, To the Lighthouse and Midnight's Children. Provides a brief history of the rise of literary theory in the twentieth century, in order that students understand the historical contexts for different theories. Presents an alphabetically organized series of entries on key figures and publications, from Adorno to Žižek. Features descriptions of the major movements in literary theory, from critical theory through to postcolonial theory.
Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned...
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Eighteenth-century poetry was dominated by men of education and wealth, and bookcases sagged under the weight of volumes by Swift, Johnson and Pope. When Stephen Duck's The Thresher's Labour was published in 1730, however, it was a sensation – highlighting the plight of the working class in verse was hereto simply unthought of. Duck's poem came to the attention of Mary Collier, a washerwoman working in Hampshire, who was astounded to read Duck's dismissal of women as work-shy layabouts who indulged in 'noisy prattle', and she penned a stinging riposte, The Woman's Labour, which reframed Duck's relation of harvest-time toil from a woman's perspective. This edition of The Woman's Labour seeks to give a wider view of the conversation, and includes The Thresher's Labour, 'The Three Wise Sentences' (which Collier included in the first publication of her reply), 'An Epistolary Answer to an Exciseman Who Doubted Her Being the Author' and the elegy she wrote for Stephen Duck after he died.
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Published on the occasion of an exhibition held at the Frick Collection, Oct. 5, 2010-Jan. 9, 2011.
Birkbeck College 900910