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Having examined the wounds in his side, legs, head, and throat, the old hermit (a skilful leech) knelt down by the side of the vanquished one and said, 'Sir Knight, it is my painful duty to state to you that you are in exceedingly dangerous condition, and will not probably survive.'-from "A Legend of the Rhine"Thackeray was one of the most popular writers of fiction of his time, but few readers are familiar with works beyond his 1847 novel Vanity Fair. This omnibus volume collects some of his lesser-known but equally vivid and delightfully caustic writing, including comic short novels sending up chivalrous romances, humorous poetry tweaking popular verse of the era, and a selection of letters and other writings from before his work as a professional man of letters. Complete with whimsical illustrations, some by the author, this is essential reading for lovers of 19th-century British literature.British journalist and novelist WILLIAM MAKEPEACE THACKERAY (1811-1863) was a regular contributor to some of the most prominent periodicals of his day, including Punch, where his satires of English snobbery attracted public attention and acclaim.
This book is the first overall survey of the British West Indian press in the early nineteenth century—a critical period in the history of the region. Based on extensive and ground-breaking archival research, this volume provides an in-depth history of early nineteenth-century British West Indian newspapers and potted biographies of the journalists who produced them. The author examines the economics underpinning newspapers, and a political spectrum, unique to the West Indian press, is also posited. Towards one end sat a small group of ‘liberal’ newspapers that outraged white colonists by arguing for civil and political rights to be extended to so-called free coloureds and for the abol...
The concept of the border evoked by the title of the present volume provides a central interpretative key for our project at more than one level, as it is suggestive both of Scotland as a 'theoretical borderland' in relation to the Empire and postcoloniality, and of our attempt at bringing into dialogue scholars from different disciplinary backgrounds, including Scottish, Celtic and postcolonial studies. The 'Scotland' of the present volume's title is thus suggestive of a critical standpoint ...
Bluebeard is the main character in one of the grisliest and most enduring fairy tales. A serial wife murderer, he keeps a horror chamber in which remains of all his previous matrimonial victims are secreted from his latest bride. She is given all the keys but forbidden to open one door of the castle. This is a major study of the tale and its many variants in English: from the 18th and 19th century chapbooks, children's toybooks, pantomimes, melodramas, and circus spectaculars, to the 20th century in music, literature, art, film, and theatre.
The remarkable story of the stylistic, cultural, and technical innovations that drove the surge of comics, caricature, and other print media in 19th-century Europe Taking its title from the 1844 visionary graphic novel by J. J. Grandville, this groundbreaking book explores the invention of print media—including comics, caricature, the illustrated press, illustrated books, and popular prints—tracing their development as well as the aesthetic, political, technological, and cultural issues that shaped them. The explosion of imagery from the late 18th century to the beginning of the 20th exceeded the print production from all previous centuries combined, spurred the growth of the internation...