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A Century of Brazilian Documentary Film
Since the late nineteenth century, Brazilians have turned to documentaries to explain their country to themselves and to the world. In a magisterial history covering one hundred years of cinema, Darlene J. Sadlier identifies Brazilians’ unique contributions to a diverse genre while exploring how that genre has, in turn, contributed to the making and remaking of Brazil. A Century of Brazilian Documentary Film is a comprehensive tour of feature and short films that have charted the social and political story of modern Brazil. The Amazon appears repeatedly and vividly. Sometimes—as in a prize-winning 1922 feature—the rainforest is a galvanizing site of national pride; at other times, the ...
Modernity in Black and White
In his first single-authored English-language work, Rafael Cardoso offers a re-evaluation of modern art and modernism in Brazil.
Folk Art
Listen to the artists of the Brazilian Northeast. Their work, they say, comes of continuity and creativity. Continuity runs along lines of learning toward social coherence. Creativity brings challenges and deep personal satisfaction. What they say and do in Brazil aligns with ethnographic evidence from New Mexico and North Carolina; from Ireland, Portugal, and Italy; from Nigeria, Turkey, India, and Bangladesh; from China and Japan. This book is about that, about folk art as a sign of human unity.
Modern Brazil
Modern Brazil, a collection of original essays, views the largest country in South America through the multiple lenses of political science, economics, telecommunications, and religion. The editors, Michael L. Conniff and Frank D. McCann, have provided a frame for this analysis of a complex society by centering on the elites, those who run national affairs, and the masses, those poor and working-class people who have little direct influence on them. Discussing the political elites from regional, national, and military standpoints are, respectively, Joseph L. Love and Bert J. Barickman, Conniff, and McCann. The economic elites, notably businessmen and industrialists, are analyzed by Steven To...
The Economics of the Frontier
This book deals with the economics of establishing a frontier by conquest or by peaceful settlement, the costs involved, and the optimum extension of the territory. The opening chapters discuss the most relevant literature about frontiers – conceptual, theoretical and empirical – and introduce the fundamental theoretical model for extending frontiers which is drawn on throughout the book. The authors use this theoretical apparatus by applying it to a number of historical cases. These include the division of the European territory between the Byzantine Empire, Islam and Western Europe, the creation and expansion of the Mongol Empire, the impact of the Black Death, the European discovery of the New World, the staples trade from 1870–1914, and the rise and fall of banditry in Brazil. The Economics of the Frontier brings together a collection of essays which explore how economically optimal frontiers were founded from sixth-century Europe through to twentieth-century Brazil.
Legalizing Identities
Anthropologists widely agree that identities_even ethnic and racial ones_are socially constructed. Less understood are the processes by which social identities are conceived and developed. Legalizing Identities shows how law can successfully serve
Bandit Narratives in Latin America
Bandits seem ubiquitous in Latin American culture. Even contemporary actors of violence are framed by narratives that harken back to old images of the rural bandit, either to legitimize or delegitimize violence, or to intervene in larger conflicts within or between nation-states. However, the bandit seems to escape a straightforward definition, since the same label can apply to the leader of thousands of soldiers (as in the case of Villa) or to the humble highwayman eking out a meager living by waylaying travelers at machete point. Dabove presents the reader not with a definition of the bandit, but with a series of case studies showing how the bandit trope was used in fictional and non-fictional narratives by writers and political leaders, from the Mexican Revolution to the present. By examining cases from Argentina, Brazil, Mexico, Peru, and Venezuela, from Pancho Villa's autobiography to Hugo Chavez's appropriation of his "outlaw" grandfather, Dabove reveals how bandits function as a symbol to expose the dilemmas or aspirations of cultural and political practices, including literature as a social practice and as an ethical experience.
Legalizing Identities
Anthropologists widely agree that identities--even ethnic and racial ones--are socially constructed. Less understood are the processes by which social identities are conceived and developed. Legalizing Identities shows how law can successfully serve as the impetus for the transformation of cultural practices and collective identity. Through ethnographic, historical, and legal analysis of successful claims to land by two neighboring black communities in the backlands of northeastern Brazil, Jan Hoffman French demonstrates how these two communities have come to distinguish themselves from each other while revising and retelling their histories and present-day stories. French argues that the in...
Heroes and Artists
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