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Invisible People
"This collection illustrates the vibrant cultures of sixty-four tribes that reside in the rain forests of Brazil, Ecuador, Peru, Venezuela and Colombia. The Mekler Collection of Amazon Arts is one of the largest private collections in the United States"--Page 2.
California
This beautifully illustrated guidebook takes you on a tour of California's different geographical areas, each with its own character and exciting excursions, from the Golden State's main attractions to hidden gems in off-the-beaten path destinations. California is a vast territory that is unquestionably the most diversified in all of the United States. With so much to see and do, National Geographic Traveler: California is an essential tool for every visitor, providing itinerary ideas for every type of tourist―from beach-lovers to city-dwellers to road trippers. Offering ideas, advice, and suggestions from true Golden State connoisseurs, this book is filled with expert information that tak...
Close to Home
For over four decades, Richard Buswell has trained his camera on the landscape of Montana, with its abandoned and overgrown homesteads and majestic, never-ending skies. In the recent work assembled in this volume, Buswell’s fourth book, his subjects are much more than scattered remains. His black-and-white photographs frame cast-off, common things to reveal abstract patterns in the tradition of twentieth-century modernist photography. As Buswell puts it, his work is “more interpretive and abstract than it is documentary. The images explore the junction where decaying artifacts become visual echoes of the past.” To create a portfolio of images that make us look anew at the West requires a mix of courage and patience, of persistence and imagination. Richard Buswell has shown just these qualities as he has turned a youthful hobby into a powerful means for exploring the past and present of his Montana homeland.
Tandem Press
Founded in 1987 by Professor William Weege, the Tandem Press seeks to recreate the dynamic creative atmosphere of a visiting artist community where students and artists collaborate, work, and learn together. This catalog details the first five years of the program, and offers a color plate of one work from each of the visiting artists and a complete checklist of the exhibition. Distributed for theChazen Museum of Art, University of Wisconsin Madison"
Garo Z. Antreasian
Garo Z. Antreasian (b. 1922) belongs to the great generation of innovators in mid-twentieth-century American art. While influenced by a variety of European artists in his early years, it was his involvement with Tamarind Lithography Workshop starting in 1960 that transformed his work. As Tamarind’s founding technical director, he revolutionized the medium of lithography. He discovered how to manipulate the spontaneous possibilities of lithography in the manner of the Abstract Expressionist painters. In addition to reflecting on his work, he writes movingly about his Armenian heritage and its importance in his art, his teaching, and his love affair with all sorts of artistic media. Illustrating his drawings, paintings, and prints, this book reveals Antreasian as a major American artist. This book was made possible in part by generous contributions from the Frederick Hammersley Foundation and Gerald Peters Gallery.
The Art of Joan Brown
Examines the California artist's life and work, offering reproductions of many of her pieces
Manuel Neri
A new monograph of relief sculptures and related drawings by this celebrated contemporary artist. Neri is the 2006 recipient of the Lifetime Achievement Award presented by the International Sculpture Center.
The Art of David Ireland
Widely recognized as one of the West Coast's most important and critically acclaimed practitioners of conceptual and installation art, David Ireland (born 1930) has taken the concept of art itself as one of his subjects. A self-described "post-discipline" artist, guided by Zen thought and postmodern aesthetics, Ireland moves fluidly from making small drawings to creating sculptures as large as houses. Freely incorporating anything within his conceptual or physical reach—dirt, concrete, wire, and other everyday materials—his work is subtle, puzzling, and witty, and consistently challenges traditional definitions of art. In this book accompanying the first full-scale retrospective of Irela...
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