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This collection of original essays aims to better understand what researchers do when they practice research. It reinforces a specifically geographic and spatial account that is needed for the development of practice theory while also shining new light on current debates in practice theory on power, politics and space.
This book offers an empirically-grounded account of the emergence and political activities of a new collective actor in Berlin’s art field. Investigating the organizational and representative practices of Koalition der Freien Szene (Coalition of the Independent Scene) – a trans-disciplinary action platform assembling a wide variety of cultural producers in Berlin – the author unpacks the political organization of one of the most compelling contemporary art scenes, or ‘creative’ cities, worldwide, analysing both its concrete policy ‘success’ and the means by which it seeks to challenge and rearticulate the meaning of Berlin as a ‘creative’ city from the producers’ point of...
This edited volume puts contemporary debates arising from the "spatial turn" in cultural and social sciences in a dialogue with postfoundational theories of space and place to devise postfoundationalism as a radical approach to urban studies.
Post-foundationalism departs from the assumption that there is no ground, necessity, or objective rationale for human political existence or action. The edited volume puts contemporary debates arising from the »spatial turn« in cultural and social sciences in a dialogue with post-foundational theories of space and place to devise post-foundationalism as radical approach to urban studies. This approach enables us to think about space not only as socially produced, but also as crucially marked by conflict, radical negativity, and absence. The contributors undertake a (re-)reading of key spatial and/or post-foundational theorists to introduce their respective understandings of politics and space, and offer examples of post-foundational empirical analyses of urban protests, spatial occupation, and everyday life.
The Journal of Cultural Management and Cultural Policy offers international perspectives on issues in cultural management and cultural policy research and practice. Artists shape policy and management which is integral to their practice. This issue looks at how artists engage in policy making and how policies develop through artistic practice. Authors examine the role of researchers as interpreters and developers of policies originating in artist-focused research, artist agency in artist-led development, and what it means to »give« artists a platform to pursue their policy interests. Additionally, marginalisation of artists and lack of diversity in methodologies are explored in this issue.
Ties to the homeland have always been a central focus of global diaspora and migration studies. How and why do the descendants of migrants maintain their attachment to the ancestral homeland? To what extent do emotional ties bind second and later generations of migrants to that place? Tsypylma Darieva examines various actors, channels and sites of transnational Armenian engagement that generate new pathways of diasporic ›roots‹ mobility. Drawing on long-term ethnographic observations in Armenia and in the USA, she examines transnational flows of people, money and ideas to show the social and political significance that roots mobility acquires when the mythical ›homeland‹ becomes a real place.
While urban life can be characterized by endeavors to settle stable and safe environments, for many people, urban space is rarely stable or safe; it is uncertain, troubled, imbued with challenges and perpetually under pressure. As the concept of unsettled appears to define the contemporary urban experience, this multidisciplinary book investigates the conflicts and possibilities of settling and unsettling through open and speculative analysis. The analytical prism of unsettled renders urban space an indeterminate ground unfolding through routines, temporalities and contestations in constant tension between settling and unsettling. Such contrasting experiences are contingent on how urban soci...
Trauma Informed Placemaking offers an introduction to understanding trauma and healing in place. It offers insights that researchers and practitioners can apply to their place-based practice, learning from a global cohort of place leaders and communities. The book introduces the ethos and application of the trauma-informed approach to working in place, with references to historical and contemporary trauma, including trauma caused by placemakers. It introduces the potential of place and of place practitioners to heal. Offering 20 original frameworks, toolkits and learning exercises across 33 first- and third-person chapters, multi-disciplinary insights are presented throughout. These are orga...
This book presents a global perspective on the political agency of arts in place. International and leading scholars and artists themselves present critical theory and practice of contemporary art as a politicised force. This book extends thinking on contemporary arts practices in the urban and political context of protest and social resilience and offers the prism of a ‘critical artscape’ in which to view the urgent interaction of arts and the urban politic.
The increasing platformization of urban life needs critical perspectives to examine changing everyday practices and power shifts brought about by the expansion of digital platforms mediating care-services, housing, and mobility. This book addresses new modes of producing urban spaces and societies. It brings both platform researchers and activists from various fields related to critical urban studies and labour activism into dialogue. The contributors engage with the socio-spatial and normative implications of platform-mediated urban everyday life and urban futures, going beyond a rigid techno-dystopian stance in order to include an understanding of platforms as sites of social creativity and exchange.