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Twenty-four essays take diverse approaches (thematic, feminist, historicist, cultural materialist, etc.) to the theme of culture (including its expression in literature, art, mass media, etc.) and identity (self, regional, or national) in Latin America (five essays), the Caribbean (ten essays) and Europe (nine essays). Paper edition (unseen), $16.95. Annotation copyright by Book News, Inc., Portland, OR
Includes entries for maps and atlases.
Die traditionsreiche Reihe QUELLEN UND FORSCHUNGEN ZUR LITERATUR- UND KULTURGESCHICHTE, deren Ursprung auf das Jahr 1874 zurückgeht, gehört zum festen Bestand renommierter Publikationsforen der Deutschen Literaturwissenschaft. Von Ernst Osterkamp und Werner Röcke an der Humboldt-Universität zu Berlin herausgegeben, präsentieren die QUELLEN UND FORSCHUNGEN hochwertige wissenschaftliche Arbeiten, die literarische Texte im Zusammenhang mit kulturhistorischen Phänomenen, besonders auch mit den anderen Künsten, untersuchen. Philologische Studien mit transdisziplinärem Ansatz sind ausdrücklich erwünscht. Der Schwerpunkt der Serie liegt auf der deutschen Literatur vom Mittelalter bis in die Gegenwart. Da die kulturgeschichtliche Ausrichtung der Reihe Aspekte interkultureller Erfahrung und nationaler Fremdwahrnehmung einbegreift, stehen die QUELLEN UND FORSCHUNGEN im Einzelfall aber auch komparatistischen Arbeiten offen. Veröffentlicht werden Monographien, Dissertationen und Habilitationsschriften sowie thematisch geschlossene Sammelbände. Die Maßstäbe für die Aufnahme in die Reihe bilden wissenschaftliche Relevanz und Exzellenz in Methode und Darstellung.
Author Wilhelm Busch (18321908) was a prominent German caricaturist, painter, sculptor and poet. His satirical picture stories with rhymed texts earned him the honorary epithet of Grandfather of Comics. One of his first picture stories, Max and Moritz (1865), was an immediate success and has achieved the status of a popular classic and perennial bestseller. Max and Moritz, as well as many of Buschs other picture stories, are regarded as one of the primary precursors to the modern comic strip. Busch is also known for his poems, some of which are written in a satirical style similar to his picture stories, while others are of a deeper lyrical character. Translator John Fitzell (19232010) was a...
Cultural boundaries and group identity are often forged in relation to the Other. In every society, conceptions of otherness, which often reflect a group's fears and vulnerabilities, result in deep-rooted traditions of inclusion and exclusion that permeate the culture's literature, religion, and politics. This volume explores the ways in which Jews have traditionally defined other groups and, in turn, themselves. The contributors, a distinguished international group of scholars, explore the discursive processss through which Jewish identity and culture have been constructed, disseminated, and perpetuated. Among the topics addressed are: Others in the biblical world; the construction of gende...
Europe and the United States now confront many of the same unresolved issues of nationalist, religious, racial, and ethnic intolerance. The book addresses the question: How can the humanistic disciplines and social sciences play a role in a political transformation or address cultural difference? This "difference," the other, may be a racial, ethnic, gendered, religious, or colonial Other. Contributors to this book focus on the serious political questions posed by the problems of strangeness, "the other," in the present climate of accelerating social change and global shifts in political power.
Vols. for 1956- include a separately paged section: Directory of organizations, associations and institutions.
Why do physicians who've taken the Hippocratic Oath willingly cut into seemingly healthy patients? How do you measure the success of surgery aimed at making someone happier by altering his or her body? Sander L. Gilman explores such questions in Creating Beauty to Cure the Soul, a cultural history of the connections between beauty of body and happiness of mind. Following these themes through an impressive range of historical moments and players, Gilman traces how aesthetic alterations of the body have been used to "cure" dissatisfied states of mind. In his exploration of the striking parallels between the development of cosmetic surgery and the field of psychiatry, Gilman entertains an array...