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Howardena Pindell
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David Batchelor
David Batchelor (born 1955, Dundee) is perhaps best known for his vividly coloured sculptural installations of illuminated lightboxes, industrial dollies, and other found objects. These three-dimensional works perhaps belie the fact that the root of his interest is and always has been in drawing, painting, abstraction and the monochrome - preoccupations that are best charted in his immensely varied 2D oeuvre. This exhibition will be the first in-depth survey of David Batchelor's drawings, paintings and photographic work
Emma Hart - a Long Hard Look
We have published this major new book to accompany the exhibition. As well as looking back over Hart's career, it includes installation photography of the new work made for the show, and new writing by Fruitmarket director Fiona Bradley, Director of Tate Liverpool Helen Legg, and artist and filmmaker Sarah Wood. We are particularly delighted that writer Ali Smith has written a new short story for the book, inspired by visits to Emma Hart's studio during the making of BANGER.
After Modern Art
A beautifully illustrated, new edition of this pioneering study of art since 1945. Focussing mainly on the relationship between American and European Art, this book offers an up-to-date introduction to the major artists and movements of recent years.
Willie Doherty
Published to accompany an exhibition held at Fruitmarket Gallery, Edinburgh, 25 April - 12 July 2009.
Nathan Coley
Nathan Coley (*1967 in Glasgow) is interested in the idea of "public" space, and his practice explores the ways in which architecture becomes invested-and reinvested-with meaning. Across a range of media Coley investigates what the built environment reveals about the people it surrounds and how the social and individual response to it is in turn culturally conditioned. Using the readymade as a means to take from and re-place in the world, Coley addresses the ritual forms we use to articulate our beliefs-from hand-held placards and erected signs to religious sanctuaries. Whether highlighting in illuminated letters the testimony of a New Yorker recalling the World Trade Center attacks or erasing the names of the dead from their gravestones, his work frequently turns the specific into the general, thereby testing its function as a form of social representation; simply, does this aphorism, this gravestone, this building, speak on my behalf?
Of Its Time and of Its Place
Formed in 1991, Richard Murphy Architects' early reputation was built on highly crafted and innovative domestic work in Edinburgh, Scotland. The practice has grown both in size and range of commissions, working across the UK and Ireland, in Europe and Sri Lanka and, more than two decades on, has amassed an extensive portfolio, designing buildings and spaces for the arts, education, housing, health, public and community use, as well as masterplanning. Richard Murphy Architects makes careful responses to complex contexts--whether insertion, extension or new-build, the practice's projects develop a dialogue between existing and new, intimacy and scale. large or small scale, public or private, e...
Janet Cardiff & George Bures Miller
A concise retrospective, this publication contains previously unpublished written and visual material, as well as pertinent literature on the oeuvre of Janet Cardiff and George Bures Miller. SPECIALIST
Eva Hesse
Throughout her career, Eva Hesse produced a significant number of small, experimental works which she renamed 'studiowork'. This title contains a comprehensive catalogue of the studiowork, including many new works that have never before been seen in public.
The Secret Hotel
This renowned Canadian duo's audio and video works and installations examine the complexity and vertiginous nature of subjectivity in a technological world, where man is caught between present and the loss of self, between memory and experience, perception and imagination. Cardiff and Miller create interactive pieces in which the visitor is invited to touch, listen, smell and move about freely. This new catalogue presents five of those works, including "Paradise Institute" and "The Forty-Part Motet," as well as three created within the last year, all documented in installation photographs and on a DVD. With an essay from art critic and historian Jorg Heiser.
