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The Tarot of Leonora Carrington
A significantly expanded edition of Carrington's acclaimed Tarot series, featuring new archival images and research The British-born Mexican surrealist Leonora Carrington (1917-2011) spent a lifetime exploring the esoteric traditions of diverse cultures, and incorporated their ideas and symbols into her artistic and literary oeuvre. Tibetan Buddhism, the Kabbalah, ancient Egyptian and Mesopotamian magic, Celtic mythology, witchcraft, astrology and the Tarot were filtered through her feminist lens to create a visionary, woman-centered worldview. Carrington created a spectacular Major Arcana Tarot deck sometime during the 1950s, laying gold and silver leaf over brilliant color. Exhibited for t...
Shannon Taggart: Séance
American photographer Shannon Taggart (born 1977) became aware of spiritualism as a teenager when her cousin received a message from a medium that revealed details about her grandfather's death. In 2001, while working as a photojournalist, she began photographing where that message was received--Lily Dale, New York, home to the world's largest spiritualist community, proceeding to other communities in, for example, Arthur Findlay College in the UK. Taggart expected to spend one summer figuring out the tricks of the spiritualist trade. Instead, spiritualism's mysterious processes, earnest practitioners and neglected photographic history became an inspiration. Her project evolved into an 18-ye...
Touch Me Not
Touch Me Not is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript "appears at first sight to be a 'grimoire' or magician's manual intended for noviciates of black magic. Psychedelic drug use, animal sacrifice, sigillary body art, masturbation fantasy and the necromantic manipulation of gallows-corpses count among the transgressive procedures it depicts. With their aid hidden treasures are wrested from guardian spirits, and the black magician's highest ambition--an infernal transfiguration and union with the Devil--can be fulfilled." Hidden for decades within the Wellcome Library collection, Touch Me Not is published here as a full-color facsimile. The German and Latin texts have been translated by Hereward Tilton and Merlin Cox, scholars who have explored the sources for the various elements and provided copious references. Tilton provides an introduction that lays out the context for the survival of this extraordinary manuscript.
Ascend Ascend
Ascend Ascend was written over the course of twenty days, coming in and out of trance states brought on by intermittent fasting and somatic rituals while secluded in the tower of a 100-year-old church. It is rooted in the jewish mystical tradition of merkabah literature, chronicling an ascent up the kabbalistic sefirot to witness the "chariot of god." While traditional merkabah prose trends dry--focused on preparations for the journey while demurring to describe the experience itself--Ascend Ascend uses poetry to touch the ineffable. Equal parts Walt Whitman and Maggot Brain, this long poem documents the ecstatic destruction of the self.
Visions of Enchantment
Since Antiquity, the idea of the artist as a magician, trickster and powerful creator of new realities has established itself as a fertile idea in the discussion of image-making. The conjuring of illusions, the inherent link between the material and the spiritual and the wish to make the invisible visible are all part of this wider discourse. Visions of Enchantment looks at the fascinating intersections between esotericism and visual culture through a decidedly cross-cultural lens, with topics ranging from talismanic magic and the Renaissance exploration of alchemy, through to the role of magic in modern art and 20th century experimental film.00The essays offered in 'Visions of Enchantment: Occultism, Magic and Visual Culture' have been selected from papers presented at a major international conference at the University of Cambridge in 2014. It includes work by some of the leading scholars in Western Esotericism including Antoine Faivre, M.E. Warlick and Deanna Petherbridge. It attests to the vibrant role that magic and the occult play in cutting-edge research across a wide variety of the arts and humanities today.
Enchanted Modernities
When the occult came to the American West: individualism and magic in the art of California, from Agnes Pelton to Jess "It is in America that the transformation will take place, and has already silently commenced." With these words, written in The Secret Doctrine in 1888, occultist philosopher Helena Blavatsky drew a direct connection between the Theosophical Society and the dynamic energy of 19th-century Americanism. Blavatsky and her successors identified the American West as the perfect site for a rebirth and re-enchantment of humanity, drawing those seeking spiritual fulfilment outside of organized religion to the dramatic landscapes of California, Arizona, Utah and New Mexico--places wh...
The Book of Pleasure
The Book of Pleasure could be regarded as the central text among Austin Osman Spare's writings. It covers both mystical and magical aspects of Spare's ideas; as the modern ideas on sigils (as now have become popular in chaos magic) and Spare's special theory on incarnation are for the first time introduced in this book.There are some chapters in The Book of Pleasure that Spare has referred to within the text, but are omitted. It seems that they were destroyed during World War II
The Satyr & Other Tales
"It was the straying that found the path direct." - Austin Osman Spare In the final throes of the Blitz, Austin Osman Spare is the only salvation for Marlene, an artist escaping a traumatic past. Wandering Southwark's ruins she encounters Paddy Hughes, a fugitive of another kind. Falling under Marlene's spell Hughes agrees to seek out her lost mentor, the man she calls The Satyr. Yet Marlene's past will not rest as the mysterious Doctor Charnock pursues them, trying to capture the patient she'd once caged. The Satyr is a tale inspired by the life and ethos of sorcerer and artist Austin Osman Spare. Another three novellas of occult enchantment follow: a bookseller discovers that his late wife knew the Devil, in the Carpathian Mountains refugees shelter in a museum devoted to a forgotten author, and in Prague a portraitist must paint a countess whose appearance is never the same twice. This omnibus is comprised of The Satyr (2010) and The Bestiary of Communion (2011); newly illustrated, expanded, and revised.
World Receivers
"Abstract paintings were being produced even before Kandinsky. Completely independently from each other, Georgiana Houghton (1814-1884) in England, Hilma af Klint (1862-1944) in Sweden and Emma Kunz (1892-1963) in Switzerland developed an individual, abstract pictorial language. What they had in common was a desire to make visible the laws of nature, the intellect and the supernatural. Their works are being presented side by side for the first time in an exhibition. The three women artists all found their artistic language within the context of the spiritual movements of their times: Houghton in spiritism, af Klint in theosophy and Kunz in naturopathy. Their artworks bear witness to a 'mediumistic' praxis: Houghton and af Klint were inspired by higher beings to paint, while Kunz developed her drawings with the help of a pendulum. In addition, the volume shows stills by Harry Smith and James and John Whitney, who - inspired by various occult movements - made experimental films during the 1940s"--Publisher's website.
