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ACTAS DEL “VI CONGRESO INTERNACIONAL DE SINESTESIA, CIENCIA Y ARTE + ACTIVIDADES PARALELAS 2018”. Alcalá la Real, Jaén (España). Sedes: Convento de Capuchinos, Palacio Abacial, Teatro Martínez Montañés, Alcalá la Real (Jaén) y Conservatorio Superior de Música Victoria Eugenia, Granada, España. Facultad de Bellas Artes, UGR Granada, España Versión digital, Abril de 2018. Primera Edición/First edition: April 2018 E-book ISBN: 978-84-948665-0-0 Comité editorial: Mª José de Córdoba Serrano; Julia López de la Torre Lucha; Timothy B. Leyden. Diseño imagen, trípticos de promoción y cartel: Víctor Parra ©Editorial: Fundación Internacional Artecittà. Granada. 2018 C/Docto...
MuVi5 is the fifth edition of Visual Music dedicated videos – following upon MuVi (Granada, 2007), MuVi2 (Granada, 2009), MuVi3 (Almeria, 2012) and MuVi4 (Alcalá la Real, Jaén, 2015) – an event that completes the Fifth International Conference Sinestesia: Ciencia y Arte, which took place at Alcalá la Real, Jaén (Convento Capuchinos) and the “Victoria Eugenia” Conservatory of Music of Granada, in Spain, from May 18th to 21th.This is a collection of kinetic works in visual, audiovisual, or interactive fields, from artists, musicians, designers, and performers, designed on music. Alongside the videos from professionals are also works produced in the academic field, presented by prof...
MuVi6 is the sixth edition of the publication dedicated to Visual Music – following MuVi (Granada, 2007), MuVi2 (Granada, 2009), MuVi3 (Almería, 2012), MuVi4 (Alcalá la Real, Jaén, 2015), MuVi5 (Granada and Alcalá la Real, Jaén, 2018) – an event integrated with the VII International Congress: “Synesthesia: Science and Art”, held from the 26th to 29th of October 2022, at the Faculty of Fine Arts of the University of Granada and at the Convento de Capuchinos in Alcalá la Real (Jaén), Spain. This event confirms its primary objective of providing perceivable, aesthetic (and synaesthetic) feedback on the theoretical contents addressed at the conference through lectures, debates...
MuVi4 is part of the Fifth International Congress “Synaesthesia: Science & Art” Palacio Abacial and Convento Capuchinos, Alcalá la Real, Jaén, Spain, 16-19th May 2015 Museo Casa de lo Tiros, Granada, 19-23th May 2015
The story of the creation of The Saint Johns Biblethe first commissioned, handwritten Bible in five hundred years and the first Bible of this magnitude written in English using a contemporary translationhas been told elsewhere. In Word and Image, Fr. Michael Patella focuses not on how it was made but on how, now that it is finished, it can be read, viewed, and interpreted. Patella considers the centuries-long tradition of illuminated Bibles and also the fascinating ways this Bible reflects third-millennium concerns. He seeks to rekindle interest in sacred art by allowing The Saint John's Bible to teach its readers and viewers how to work with text and image. As an accomplished Scripture scholar, a monk of the abbey that commissioned the Bible, and the chair of the Committee on Illumination and Text that provided the vision to the artists who created it, Patella may be the only one who could write this book with such insight, expertise, and love.
This is a collection of paintings compiled by Ninghui Xiong himself, chronicling his creation of painting music project for over two decades. It includes his paintings, research papers, creative tools, process records, and applications. The book consists of three chapters, “Driven by Music”, “Dialogue with Music”, and “Painting, Music and Poetry”. They illustrate the artist’s understanding of music, his ways of expression in a visual art process and the role of synaesthesia in art creation. This collection is also a reflection of the artist’s colorful inner world. For readers, it can be viewed from different perspectives: art appreciation, education, or research study. Ninghui XIONG, artist of painting and installation, board member of China Society for Music Iconology,visiting lecturer of Politecnico Milano School of Design. He is currently the Fundación InternacionalArtecittà China delegate, Journey Through The Senses (JTTS) Chinese co-liaison,a collaborator of the Group HUM1014 SYNCREART in Universidad de Granada, and a tutor of “Art Synaesthesia Course” in Hangzhou Normal University
Las conferencias, comunicaciones y posters que se publican en estas actas, se presentan según el autor las entregó en la secretaría general del congreso. Su estructura es interactiva. Desde el índice, pueden acceder a la información contenida en estas actas/ The conferences, communications and posters that are published in these e-book, are presented according to the author delivered them in the general secretariat of the congress. This e-book is interactive. You can accede to all the information from the index Los textos se presentan en la lengua original presentados por cada autor. Los abstractos se presentan en ambas versiones: Español/Inglés.
Libro de Actas del VII Congreso Internacional de Sinestesia, Ciencia y Arte celebrado en Granada y Alcalá la Real, Jaén ( España) Sedes: Facultad de Bellas Artes Alonso Cano, Universidad de Granada, España. Convento de Capuchino, Alcalá la Real (Jaén), España. Teatro Martínez Montañés, Alcalá la Real (Jaén), España. Versión digital, Septiembre de 2022. Primera Edición/First edition: Septiembre 2022 E-book ISBN: 978-84-948665-6-2 Comité editorial: Mª José de Córdoba Serrano; Dina Riccò; Timothy B. Layden. Diseño imagen, trípticos de promoción y cartel: Federico Barquero Mesa. ©Editorial: Fundación Internacional Artecittà. Granada. 2022. C/Doctor Medina Olmos nº 44. ...
Synaesthesia is a rare experience in which one property of a stimulus evokes a secondary experience that is not typically associated with the first (e.g. hearing words can evoke tastes). In recent years a number of studies have highlighted the authenticity of synaesthesia and attempted to use the experience to inform us about typical processes in perception and cognition. This Research Topic brings together research on synaesthesia and typical cross modal interactions to discuss the mechanisms of synaesthesia and what it can tell us about typical perceptual processes. Topics include, but are not limited to, the neurocognitive mechanisms that give rise to synaesthesia; the extent to which synaesthesia does / does not share commonalities with typical cross-modal correspondences; broader cognitive and perceptual consequences that are linked to synaesthesia; and perspectives on the origins / defining characteristics of synaesthesia.
Con la colaboración de: Francisco Acuyo | David Brang | Maria Catricalà | Sean A. Day | Matej Hochel Edward M. Hubbard | Jörg Jewanski | Oscar Iborra Martínez | Emilio Gómez Milán Asunción Jódar Miñarro | Lawrence E. Marks | José López-Montes | V.S. Ramachandran Anton V. Sidoroff-Dorso | Tonino Tornitore | Jamie Ward Esta segunda edición, en versión ebook, de Sinestesia. Los fundamentos teóricos, artísticos y científicos, sale a la luz en concomitancia a la primera edición inglesa Synaesthesia. Theoretical, artistic and scientific foundations – en versión ebook e impresa – editada por nosotras y por Sean A. Day. Es un volumen que recoge contribuciones en el estudio de l...