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The Secret Fidel Castro
The Secret Fidel Castro is neither a history of the Cuban revolution nor a biography of Fidel Castro. The book was written following what intelligence services call a CPP (short for Comprehensive Personality Profile), similar to the ones intelligence services keep on foreign leaders. It focuses on different aspects of Castro's actions and personality which, for some reasons, have been either ignored, misunderstood, or misrepresented. The main thesis of this book is that there are many different Castros. The most widely known is the symbolic, public one, as it has been portrayed in official Cuban propaganda, Castro-friendly biographies, and mainstream American media. But there are also many secret Castros, highly different from the public one. The Secret Fidel Castro focuses on little known aspects of Castro's personality, important in the better understanding of the man and his actions?what really makes him tick.
The Cuban Counterrevolution
Arboleya also analyzes the role played by Cuban immigrants to the United States and the perspectives for improvement in relations between the two nations as a result of the generational and social changes that have been occurring in the Cuban-American community."--BOOK JACKET.
Res
This double volume of the renowned international journal of anthropology and comparative aesthetics includes “Aesthetics’ non-recyclable ground” by Félix Duque; “Seeing through dead eyes” by Jonathan Hay; “The hidden aesthetic of red in the painted tombs of Oaxaca” by Diana Magaloni; “A consideration of the quatrefoil motif in Preclassic Mesoamerica” by Julia Guernsey; “Hunters, Sufis, soldiers, and minstrels” by Cynthia Becker; “Figures fidjiennes” by Marc Rochette; “A sacred landscape” by Rachel Kousser; “Military architecture as a political tool in the Renaissance” by Francesco Benelli; “The icon as performer and as performative utterance” by Marie Gasper-Hulvat; “Image and site” by Jas’ Elsner; “Untimely objects” by Ara H. Merjian; “Max Ernst in Arizona” by Samantha Kavky; “Form as revolt” by Sebastian Zeidler; “Embodiments and art beliefs” by Filippo Fimiani; “The theft of the goddess Amba Mata” by Deborah Stein; and contributions to “Lectures, Documents and Discussions” by Gottfried Semper, Spyros Papapetros, Erwin Panofsky, Megan R. Luke, Francesco Paolo Adorno, and Remo Guidieri.
Thinking through Technology
What does it mean to think about technology philosophically? Why try? These are the issues that Carl Mitcham addresses in this work, a comprehensive, critical introduction to the philosophy of technology and a discussion of its sources and uses. Tracing the changing meaning of "technology" from ancient times to our own, Mitcham identifies the most important traditions of critical analysis of technology: the engineering approach, which assumes the centrality of technology in human life; and the humanities approach, which is concerned with its moral and cultural boundaries. Mitcham bridges these two traditions through an analysis of discussions of engineering design, of the distinction between...
The Politics of Emotion
The Politics of Emotion explores the intersection of powerful emotional states—love, melancholy, grief, and madness—with gender and political power on the Iberian Peninsula from the Middle Ages to the early modern period. Using an array of sources—literary texts, medical treatises, and archival documents—Nuria Silleras-Fernandez focuses on three royal women: Isabel of Portugal (1428–1496), queen-consort of Castile; Isabel of Aragon (1470–1498), queen-consort of Portugal; and Juana of Castile (1479–1555), queen of Castile and its empire. Each of these women was perceived by their contemporaries as having gone "mad" as a result of excessive grief, and all three were related to Is...
La idea de espacio en la arquitectura y el arte contemporáneos, 1960-1989
La presente obra recrea el espacio como tema en la arquitectura y el arte contemporáneos, principalmente en el periodo que abarca desde los primeros años sesenta hasta finales de los ochenta, cuando la idea de espacio cobró un especial protagonismo. El análisis del papel del espacio en las artes se centra en la escultura y sus desbordamientos, de manera que se establece una especie de dialéctica entre el espacio arquitectónico y el escultórico, rastreando los ricos márgenes que se han generado en los límites de ambas disciplinas y que han dado origen a otros nuevos géneros en los que lo espacial aparece como una de sus características más definitorias. Sin pretender llega a hacer una historia de la cultura de una época o momento determinado, este ensayo intenta superar las metodologías al uso en historiografía del arte, así como los conceptos preestablecidos sobre las distintas artes para, sirviéndose de ideas y acontecimientos filosóficos, artístico, musicales, literarios y arquitectónicos, trazar un perfil del ambiente cultural que se respiró en Occidente tras la Segunda Guerra mundial. Para ello se sirve de un hilo conductor: la idea de espacio.
Transzendentale Logik
Aus dem Inhalt: Die transzendentallogische Funktion des Ich (Klaus Hammacher). - Du formel au transcendental: remarques sur l'itineraire de Husserl et de Fichte (Therese Pentzopoulou-Valalas). - Fichte und das Problem des intelligiblen Fatalismus (Georg Wallwitz). - Die Philosophie in Freiheit setzen: Freiheitsbegriff und Freiheit des Begriffs bei Schelling (Felix Duque).
Between Nihilism and Politics
Essays describe Italian philosopher Gianni Vattimo’s unique and radical hermeneutic philosophy.
Two Move
The videodisc includes the videos by the twenty-two artists selected for the exhibition as well as the essays in the catalog and photos of the exhibition installation and design.
Kant's Late Philosophy of Nature
Kant's final drafts, known as his Opus postumum, attempt to make what he calls a 'transition from the metaphysical foundations of natural science to physics.' Interpreters broadly agree that in this project Kant seeks to connect the general a priori principles of natural science, as set out in the major critical works, to the specific results of empirical physics. Beyond this, however, basic interpretative issues remain controversial. This Element outlines a framework that aims to combine the systematic ambition of early twentieth-century readings with the rigor of more recent studies. The author argues that a question that has animated much recent scholarship – which 'gap' in Kant's previous philosophy does the Opus postumum seek to fill? – can be profitably set aside. In its place, renewed attention should be given to a crucial part of the manuscript, fascicles X/XI, and to the problematic 'arrival point' of the transition, namely, Kant's question: What is physics?
