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Preservation of natural and cultural heritage is often said to be something that is done for the future, or on behalf of future generations, but the precise relationship of such practices to the future is rarely reflected upon. Heritage Futures draws on research undertaken over four years by an interdisciplinary, international team of 16 researchers and more than 25 partner organisations to explore the role of heritage and heritage-like practices in building future worlds. Engaging broad themes such as diversity, transformation, profusion and uncertainty, Heritage Futures aims to understand how a range of conservation and preservation practices across a number of countries assemble and resource different kinds of futures, and the possibilities that emerge from such collaborative research for alternative approaches to heritage in the Anthropocene. Case studies include the cryopreservation of endangered DNA in frozen zoos, nuclear waste management, seed biobanking, landscape rewilding, social history collecting, space messaging, endangered language documentation, built and natural heritage management, domestic keeping and discarding practices, and world heritage site management.
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The House of Morgan personified economic power in the late 19th/early 20th centuries. Carosso constructs an in-depth account of the evolution, operations, and management of the Morgan banks at London, New York, Philadelphia, and Paris, from the time Junius Spencer Morgan left Boston for London to the death of his son, John Pierpont Morgan.
In this new study of the lead-up to the Great War, David G. Morgan-Owen deals with an aspect of the war seldom discussed for the simple reason that it never actually came to pass: a German invasion of the United Kingdom. Morgan-Owen makes the case that this fear of invasion played a central role in the formation of British strategy.
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A lively and multi-faceted account of Evelyn and William De Morgan, exploring a unique artistic partnership that spanned several cultural circles including the Pre-Raphaelites and Arts and Crafts movement With a partnership spanning two centuries, the Pre-Raphaelite painter Evelyn (1855-1919) and Arts and Crafts potter and author William De Morgan (1839-1917) influenced several significant art movements in nineteenth-century Britain. Despite this, their impact has been relatively overlooked in comparison with their better-known contemporaries. Evelyn & William De Morgan is the first major publication devoted to the work of either artist and their unique relationship. It draws out each artist...