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The meaning of the Taj Mahal, the perceptions and responses it prompts, ideas about the building and the history that shape them: these form the subject of Tillotson’s book. More than a richly illustrated history, this book is an eloquent meditation on the place of the Taj Mahal in the cultural imagination of India and the wider world.
An enduring monument of haunting beauty, the Taj Mahal seems a symbol of stability itself. The familiar view of the glowing marble mausoleum from the gateway entrance offers the very picture of permanence. And yet this extraordinary edifice presents a shifting image to observers across time and cultures. The meaning of the Taj Mahal, the perceptions and responses it prompts, ideas about the building and the history that shape them: these form the subject of Giles Tillotson’s book. More than a richly illustrated history—though it is that as well—this book is an eloquent meditation on the place of the Taj Mahal in the cultural imagination of India and the wider world. Since its completio...
A place of astonishing contrasts, India is home to some of the world’s most ancient architectures as well as some of its most modern. It was the focus of some of the most important works created by Le Corbusier and Louis Kahn, among other lesser-known masters, and it is regarded by many as one of the key sites of mid-twentieth century architectural design. As Peter Scriver and Amit Srivastava show in this book, however, India’s history of modern architecture began long before the nation’s independence as a modern state in 1947. Going back to the nineteenth century, Scriver and Srivastava look at the beginnings of modernism in colonial India and the ways that public works and patronage ...
In this ground-breaking study the traditional Indian science of architecture and house-building,Vastu Vidya, is explored in terms of its secular uses, at the levels of both theory and contemporary practice. Vastu Vidya is treated as constituting a coherent and complete architectural programme, still of great relevance today. Chakrabarti draws on an impressive amount of textual material, much of it only available in Sanskrit, and presents several extremely valuable illustrations in support of the theories expounded. Each chapter deals with one architectural aspect, and chapters are divided into three sections. For each aspect, the first section explains the prescriptions of the traditional texts; the second section deals with the rather arbitrary use of that aspect by contemporary Indian architects trained in the western manner but striving to relate to Indian roots; while the last section in each chapter explores the selected use of that particular aspect by contemporary Vastu pundits, with their disregard for architectural idiom.
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Travel writer Philip Ward, who has explored fifty countries around the world, takes the reader to northwest India to discover the wonders of the state of Rajasthan and the cities of Agra and Delhi. Rajasthan, known as the Country of the Princes, is the nation's most popular tourist destination. This guide reveals the surprises of Delhi, a great twentieth-century Asian capital with a complex past, and explores the expected and unexpected pleasures of Agra, with its Taj Mahal and I'timad ad-Daula, Red Fort, and teeming bazaars. Here, too, are familiar destinations such as Jodhpur and Pushkar, as well as such off-the-beaten-track jewels as Kishangarh, Dig, Kumbhalgarh, Bundi, Kota, and Chittor. Intended for first-time visitors as well as experienced travelers, Northern India: Rajasthan, Agra, Delhi provides helpful and thoughtful observations on India's main attractions.
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