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The Napoleon of Notting Hill is a futuristic novel set in London in 1984. Chesterton envisions neither great technological leaps nor totalitarian suppression. Instead, England is ruled by a series of randomly selected Kings, because people have become entirely indifferent. The joker Auberon Quin is crowned and he instates elaborate costumes for every sector of London. All the city's provosts are bored with the idea except for the earnest young Adam Wayne - the Napoleon of Notting Hill.
Orthodoxy G. K. Chesterton - Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetics. Chesterton considered this book a companion to his other work, Heretics. In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience.
Father Brown, an ordinary priest whose unremarkable exterior conceals extraordinary crime-solving ability, is celebrated for his solutions to metaphysical mysteries, a genre perfected by his creator, G. K. Chesterton. More than lighthearted comedies built around puzzling crimes, these superbly written tales contain deeply perceptive philosophical reflections. The Innocence of Father Brown (1911) was the first collection of stories featuring the ecclesiastical sleuth and is widely considered the best. In this annotated edition of the collection, the Chesterton scholar Martin Gardner provides detailed notes and background information on various aspects of such stories as "The Blue Cross," "The Secret Garden," "The Invisible Man," "The Hammer of God," "The Eye of Apollo," and seven more, as well as an informative introduction and an extensive bibliography. Included also are eight illustrations reproduced from the first edition. The result is an indispensable companion for all Chesterton enthusiasts and a perfect introduction for anyone who has yet to meet the incomparable Father Brown.
British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language. Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual "enemy," once calling the Irish playwright "most savagely serious man of his time." This 1909 critique of Shaw's work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw. Exploring the writer's work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaw's grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.
Tremendous Trifles, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
"The sane man who is sane enough to see that Shakespeare wrote Shakespeare is sane enough not to worry whether he did or not," quipped G. K. Chesterton. The prolific author — whose works include journalism, poetry, plays, history, biography, apologetics, and detective fiction — took a keen interest in the English literary tradition, particularly in the plays of its greatest dramatist. This original compilation by Chesterton expert Dale Ahlquist introduces the best of the noted critic's short reviews and essays on The Bard.
Heretics, a collection of 20 essays originally published in 1905, is one of Chesterton's most important books. It is a work that serves to point out the 'heresies' contained within the popular veins of thought surrounding him in society. The topics he touches upon range from cosmology to anthropology to soteriology and he argues against French nihilism, German humanism, English utilitarianism, the syncretism of "the vague modern", Social Darwinism, eugenics and the arrogance and misanthropy of the European intelligentsia. Together with Orthodoxy, this book is regarded as the finest flagship of his corpus of moral theology; a binary system in the cosmos of western philosophy.
Offering a detailed study of early 20th-century essayist, poet, novelist, political campaigner, and theologian G.K. Chesterton, author Stephen R.L. Clark explores Chesterton's ideas and arguments in their historical context, while also tracing the history of the early science fiction movement.
This classic volume is the second part of a definitive biography of the great English writer, Charles Dickens, by another fine English author, his friend and colleague, G. K. Chesterton.