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Hearing the Motet
The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and...
A Critical Companion to Medieval Motets
First full comprehensive guide to one of the most important genres of music in the Middle Ages.
The Motet in the Age of Du Fay
A re-evaluation of the Latin-texted motet during the age of Du Fay.
The Motet in the Late Middle Ages
A unique capacity of measured polyphony is to give precisely fixed places not only to musical notes, but also to individual words in relation to them and each other. The Motet in the Late Middle Ages offers innovative approaches to the equal partnership of music and texts in motets of the fourteenth century and beyond, showcasing the imaginative opportunities afforded by this literal kind of intertextuality, and yielding a very different narrative from the common complaint that different simultaneous texts make motets incomprehensible. As leading musicologist Margaret Bent asserts, they simply require a different approach to preparation and listening. In this book, Bent examines the words an...
J. S. Bach and the German Motet
An exploration of Bach's motets in the context of the German motet tradition.
Antonio Gardano, Venetian Music Printer, 1538-1569
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Model Driven Architecture - Foundations and Applications
The ?fth edition of the European Conference on Model-Driven Architecture Foundations and Applications (ECMDA-FA 2009) was dedicated to furthering the state of knowledge and fostering the industrialization of Model-Driven - chitecture (MDA) and Model-Driven Engineering (MDE). MDA is an initiative proposed by the Object Management Group for platform-generic systems - velopment; MDA is one of a class of approaches under the umbrella of MDE. MDE and MDA promote the use of models in the speci?cation, design, analysis, synthesis, deployment, and evolution of complex software systems. It is a pleasure to be able to introduce the proceedings of ECMDA-FA 2009. ECMDA-FA 2009 addressed various MDA area...
Motets and Prosulas
Further details at: https://www.areditions.com/rr/rrm/m041.html Abstract: This volume is the first collection of medieval music devoted specifically to texts authored by Philip the Chancellor (d. 1236), a renowned lyric poet associated with the cathedral of Notre Dame Paris during the late twelfth and early thirteenth centuries. It presents the texts and music of all the motets and prosulas (words added to preexistent music from organa and polyphonic conductus caudae) ascribed to Philip in medieval sources, as well as a substantial number of works attributed to him by modern scholars. Many of the musical settings in this collection are credited to the composer Perotinus and are among the earliest efforts in these genres, suggesting that not only were Philip and Perotinus the sole artists now known to have cultivated the motet during its formative years, but that they may have played a seminal role in bringing the genre to light.
Josquin des Prez and His Musical Legacy
Josquin des Prez and His Musical Legacy is the most up-to-date contribution to the research on one of the most important and internationally famous composers of the Renaissance. This monograph offers factual information on the composer as well as insights into his 16th-century and modern reception, a survey of the sources of his music, and a discussion of the thorny issue of authorship. Willem Elders, one of the most distinguished scholars of Josquin's music, also discusses the influence of Gregorian chant as a source of inspiration and explains the various aspects of Josquin's symbolic language. Each individual work (including some of those in the old Josquin edition now considered inauthentic) receives a short discussion of relevant contextual aspects and interesting musical features. Ranges and lengths are given for each work. The style is adapted to the professional musicologist as well as to the 'music lover' and performer. Includes 45 figures and 90 musical examples
