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Hearing the Motet
The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and...
The Motet in the Late Middle Ages
A unique capacity of measured polyphony is to give precisely fixed places not only to musical notes, but also to individual words in relation to them and each other. The Motet in the Late Middle Ages offers innovative approaches to the equal partnership of music and texts in motets of the fourteenth century and beyond, showcasing the imaginative opportunities afforded by this literal kind of intertextuality, and yielding a very different narrative from the common complaint that different simultaneous texts make motets incomprehensible. As leading musicologist Margaret Bent asserts, they simply require a different approach to preparation and listening. In this book, Bent examines the words an...
J. S. Bach and the German Motet
An exploration of Bach's motets in the context of the German motet tradition.
A Critical Companion to Medieval Motets
First full comprehensive guide to one of the most important genres of music in the Middle Ages.
Model Driven Architecture - Foundations and Applications
The ?fth edition of the European Conference on Model-Driven Architecture Foundations and Applications (ECMDA-FA 2009) was dedicated to furthering the state of knowledge and fostering the industrialization of Model-Driven - chitecture (MDA) and Model-Driven Engineering (MDE). MDA is an initiative proposed by the Object Management Group for platform-generic systems - velopment; MDA is one of a class of approaches under the umbrella of MDE. MDE and MDA promote the use of models in the speci?cation, design, analysis, synthesis, deployment, and evolution of complex software systems. It is a pleasure to be able to introduce the proceedings of ECMDA-FA 2009. ECMDA-FA 2009 addressed various MDA area...
Composition, Chromaticism and the Developmental Process
Musicology, having been transmitted as a compilation of disparate events and disciplines, has long necessitated a 'magic bullet', a 'unified field theory' so to speak, that can interpret the steady metamorphosis of Western art music from late medieval modality to twentieth-century atonality within a single theoretical construct. Without that magic bullet, discussions of this kind are increasingly complicated and, to make matters worse, the validity of any transformational models and ideas of the natural evolution of styles is questioned and even frowned upon today as epitomizing a grotesque teleological bigotry. Going against current thinking, Henry Burnett and Roy Nitzberg claim that the te...
Harvard Dictionary of Music
Contains nearly 1000 pages of precise and accessible information on all musical subjects.
Marianna Martines
Examines the life and compositional oeuvre of prolific eighteenth century musician, composer, and singer Marianna Martines (1744-1813).
Mapping the Motet in the Post-Tridentine Era
Mapping the Motet in the Post-Tridentine Era provides new dimensions to the discussion of the immense corpus of polyphonic motets produced and performed in the decades following the end of the Council of Trent in 1563. Beyond the genre’s rich connections with contemporary spiritual life and religious experience, the motet is understood here as having a multifaceted life in transmission, performance and reception. By analysing the repertoire itself, but also by studying its material life in books and accounts, in physical places and concrete sonic environments, and by investigating the ways in which the motet was listened to and talked about by contemporaries, the eleven chapters in this bo...
